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Turner Classic Movies (U.S.) Schedule for October, 2020 (All times E.S.T.)
Thu, October 1 (12:00am) Up the Down Staircase (1967/2h 4m/Drama/Robert Mulligan) (2:15am) Our Miss Brooks (1956/1h 25m/Comedy/Al Lewis) (4:00am) The Corn Is Green (1945/1h 54m/Drama/Irving Rapper) (6:00am) The Girl He Left Behind (1956/1h 43m/Comedy/David Butler) (8:00am) Lafayette Escadrille (1958/1h 33m/Romance/ William A. Wellman) (9:45am) Dondi (1961/1h 20m/Comedy/ Albert Zugsmith) (11:30am) The Shoes of the Fisherman (1968/2h 42m/Drama/Michael Anderson) (2:15pm) Ring of Fire (1961/1h 30m/Drama/Andrew L. Stone) (4:00pm) Twenty Plus Two (1961/1h 42m/Crime/Joseph M. Newman) (5:45pm) Marooned (1969/2h 13m/Adventure/John Sturges) (8:00pm) La Strada (1954/1h 55m/Drama/Federico Fellini) (10:00pm) Two for the Road (1967/1h 52m/Comedy/Stanley Donen) Fri, October 2 (12:00am) Dodsworth (1936/1h 41m/Romance/William Wyler) (2:00am) Destry Rides Again (1939/1h 35m/Western/George Marshall) (3:45am) Black Girl (1966/1h/Drama/Ousmane Sembene) (5:00am) Robert Osborne's 20th Anniversary Tribute (2015/47m/Documentary/?) (6:00am) Go West (1940/1h 21m/Comedy/Edward Buzzell) (7:45am) The Big Store (1941/1h 20m/Comedy/Charles Riesner) (9:30am) Double Dynamite (1951/1h 20m/Comedy/ Irving Cummings) (11:00am) A Girl in Every Port (1952/1h 26m/Comedy/Chester Erskine) (12:30pm) A Day at the Races (1937/1h 45m/Comedy/Sam Wood) (2:30pm) At the Circus (1939/1h 27m/Comedy/Edward Buzzell) (4:15pm) A Night at the Opera (1935/1h 36m/Comedy/Sam Wood) (6:00pm) The Story of Mankind (1957/1h 40m/Drama/Irwin Allen) (8:00pm) Dracula (1931/1h 14m/HorroTod Browning) (9:30pm) Cat People (1942/1h 11m/HorroJacques Tourneur) (11:00pm) House on Haunted Hill (1958/1h 15m/HorroWilliam Castle) Sat, October 3 (12:30am) The Haunting (1963/1h 52m/Drama/Robert Wise) (2:30am) The Queen (1968/1h 8m/Documentary/Frank Simon) (3:45am) Wigstock: The Movie (1995/1h 25m/Documentary/Barry Shils) (5:15am) The Relaxed Wife (1957/13m/Comedy/?) (6:00am) Million Dollar Baby (1941/1h 40m/Comedy/Curtis Bernhardt) (8:00am) MGM CARTOONS: The Peachy Cobbler (1950/6m/Comedy/Fred [Tex] Avery) (8:08am) Phonies Beware! (1956/8m/Documentary/Larry O'Reilly) (8:17am) Night Life in Chicago (1948/8m/Documentary/?) (8:27am) Arctic Fury (1949/1h 1m/Adventure/Norman Dawn) (9:30am) The Redskins' Revenge (1937/?/Action/?) (10:00am) POPEYE: Baby Wants a Bottleship (1942/5m/Comedy/Dave Fleischer) (10:08Am) Safari Drums (1953/1h 11m/Adventure/Ford Beebe) (11:30am) Alaska Lifeboat (1956/20m/Documentary/ Herbert Morgan) (12:00pm) The Prince and the Pauper (1937/2h/Adventure/William Keighley) (2:15pm) Key Largo (1948/1h 41m/Crime/John Huston) (4:15pm) The Defiant Ones (1958/1h 37m/Drama/Stanley Kramer) (6:00pm) The Thomas Crown Affair (1968/1h 42m/Drama/Norman Jewison) (8:00pm) Lawrence of Arabia (1962/3h 46m/Drama/David Lean) Sun, October 4 (12:00am) Where the Sidewalk Ends (1950/1h 35m/Crime/Otto Preminger) (2:00am) Across the Wide Missouri (1951/1h 18m/Adventure/William Wellman) (3:30am) On an Island with You (1948/1h 47m/Comedy/Richard Thorpe) (5:30am) Inflation (1942/17m/Drama/Cy Endfield) (6:00am) The Last of Mrs. Cheyney (1937/1h 38m/Comedy/Richard Boleslawski) (7:45am) Humoresque (1946/2h 3m/Drama/Jean Negulesco) (10:00am) Where the Sidewalk Ends (1950/1h 35m/Crime/Otto Preminger) (12:00pm) Mr. Belvedere Goes to College (1949/1h 23m/Comedy/Elliott Nugent) (1:30pm) The Women (1939/2h 12m/Comedy/George Cukor) (4:00pm) Bye Bye Birdie (1963/2h/Comedy/George Sidney) (6:00pm) The Great Buster: A Celebration (2018/1h 43m/Documentary/Peter Bogdanovich) (8:00pm) Sherlock, Jr. (1924/51m/Comedy/Buster Keaton) (9:00pm) The General (1927/1h 23m/Comedy/Buster Keaton) (10:30pm) Steamboat Bill, Jr. (1928/1h 10m/Comedy/Charles F. Reisner) Mon, October 5 (12:00am) Seven Chances (1925/45m/Comedy/Buster Keaton) (2:00am) Viridiana (1961/1h 30m/Comedy/Luis Buñuel) (3:45am) The Exterminating Angel (1962/1h 35m/Comedy/Luis Buñuel) (5:30am) MGM Parade Show #5 (1955/25m/Documentary/?) (6:00am) Roberta (1935/1h 25m/Comedy/William A. Seiter) (8:00am) Fashions of 1934 (1934/1h 18m/Drama/William Dieterle) (9:30am) Stolen Holiday (1937/1h 20m/Romance/Michael Curtiz) (11:00am) Designing Woman (1957/1h 58m/Comedy/Vincente Minnelli) (1:00pm) Made in Paris (1966/1h 43m/Comedy/Boris Sagal) (2:45pm) A Place for Lovers (1969/1h 28m/Romance/ Vittorio De Sica) (4:30pm) Blood and Black Lace (1964/1h 25m/HorroMario Bava) (6:00pm) Lured (1947/1h 42m/Crime/Douglas Sirk) (8:00pm) Cash on Demand (1961/1h 24m/Drama/Quentin Lawrence) (9:30pm) The End of the Affair (1955/1h 46m/Romance/Edward Dmytryk) (11:30pm) Time Without Pity (1957/1h 28m/Drama/Joseph Losey) Tue, October 6 (1:15am) John Paul Jones (1959/2h 6m/Action/John Farrow) (3:30am) Hamlet (1948/2h 35m/Drama/Laurence Olivier) (6:15am) A Chump at Oxford (1940/1h 3m/Comedy/Alfred Goulding) (7:30am) Vigil in the Night (1940/1h 36m/Romance/George Stevens) (9:15am) The Gay Bride (1934/1h 20m/Comedy/Jack Conway) (10:45am) Swing High, Swing Low (1937/1h 37m/Comedy/Mitchell Leisen) (12:15pm) Love Before Breakfast (1936/1h 10m/Comedy/Walter Lang) (1:30pm) Nothing Sacred (1937/1h 15m/Comedy/William A. Wellman) (3:00pm) Mr. and Mrs. Smith (1941/1h 29m/Comedy/Alfred Hitchcock) (4:45pm) To Be or Not to Be (1942/1h 39m/Comedy/Ernst Lubitsch) (6:30pm) The Golden Age of Comedy (1957/1h 19m/Comedy/Robert Youngson) (8:00pm) Women Make Film: A New Road Movie Through Cinema 06 (2019/Documentary/Mark Cousins) (9:15pm) The Ascent (1977/1h 45m/Drama/Larisa Sheptiko) (11:15pm) Women Make Film: A New Road Movie Through Cinema 06 (2019/Documentary/Mark Cousins) Wed, October 7 (12:30am) Meek's Cutoff (2010/1h 44m/Drama/Kelly Reichardt) (2:30am) Cameraperson (2016/1h 42m/Documentary/Kirsten Johnson) (4:30am) Daisies (1966/1h 14m/Comedy/Vera Chytilová) (6:00am) Meshes of the Afternoon (1944/13m/Short/Maya Deren) (6:30am) Angry Inuk (2016/1h 25m/Documentary/Alethea Arnaquq-Baril) (8:00am) The Erl King (1931/1h 10m/Drama/Marie-Louise Iribe) (9:15am) The Journey (1959/2h 3m/Romance/Anatole Litvak) (11:30am) The Squall (1929/1h 42m/Drama/Alexander Korda) (1:30pm) Beautiful Budapest (1938/8m/Documentary?) (1:45pm) Rural Hungary (1939/9m/Documentary/James A. Fitzpatrick) (2:00pm) Fight for Your Lady (1938/1h 6m/Comedy/Ben Stoloff) (3:15pm) Storm at Daybreak (1933/1h 18m/Drama/Richard Boleslavsky) (4:45pm) The Shop Around the Corner (1940/1h 37m/Comedy/Ernst Lubitsch) (6:30pm) One Heavenly Night (1930/1h 20m/Musical/Geo. Fitzmaurice) (8:00pm) No Time for Sergeants (1958/1h 59m/Comedy/Mervyn Leroy) (10:15pm) A Face in the Crowd (1957/2h 6m/Drama/Elia Kazan) Thu, October 8 (12:30am) Hearts of the West (1975/1h 43m/Comedy/ Howard Zieff) (2:30am) Onionhead (1958/1h 50m/Comedy/Norman Taurog) (4:30am) Thunder Afloat (1939/1h 35m/Comedy/George B. Seitz) (6:15am) The Public Enemy (1931/1h 14m/Drama/William A. Wellman ) (8:15am) Red-Headed Woman (1932/1h 14m/Comedy/Jack Conway) (9:45am) Dinner at Eight (1933/1h 53m/Comedy/George Cukor) (11:45am) Saratoga (1937/1h 34m/Comedy/Jack Conway) (1:30pm) Hold Your Man (1933/1h 29m/Romance/Sam Wood) (3:15pm) Red Dust (1932/1h 19m/Romance/Victor Fleming) (4:45pm) Personal Property (1937/1h 24m/Comedy/W. S. Van Dyke II) (6:15pm) Bombshell (1933/1h 31m/Comedy/Victor Fleming) (8:00pm) The Front Page (1931/1h 41m/Comedy/Lewis Milestone) (10:00pm) Detour (1945/1h 8m/Drama/Edgar G. Ulmer) (11:30pm) The Man with the Golden Arm (1956/1h 59m/Drama/Otto Preminger) Fri, October 9 (1:45am) Love Affair (1939/1h 27m/Romance/Leo McCarey) (3:30am) A Brighter Summer Day (1991/3h 5m/Drama/Edward Yang) (7:00am) Alice in Movieland (1940/21m/Drama/Jean Negulesco) (7:45am) Nora Prentiss (1947/1h 51m/Drama/Vincent Sherman) (9:45am) Born to Kill (1947/1h 32m/Drama/Robert Wise) (11:30am) Dark Passage (1947/1h 46m/Drama/Delmer Daves) (1:30pm) Out of the Past (1947/1h 37m/Crime/Jacques Tourneur) (3:15pm) Race Street (1948/1h 19m/Drama/Edwin L. Marin) (4:45pm) Impact (1949/1h 51m/Drama/Arthur Lubin) (6:45pm) The Woman on Pier 13 (1950/1h 13m/Drama/Robert Stevenson) (8:00pm) The Ghoul (1933/1h 17m/HorroT. Hayes Hunter) (9:30pm) The Black Sleep (1956/1h 21m/HorroReginald Leborg) (11:00pm) Mark of the Vampire (1935/1h 1m/HorroTod Browning) Sat, October 10 (12:15am) Night of the Living Dead (1968/1h 36m/HorroGeorge A. Romero) (2:00am) White Lightning (1973/1h 41m/Drama/Joseph Sargent) (3:45am) Gator (1976/1h 55m/Comedy/Burt Reynolds) (5:45am) The Corvair In Action! (1960/6m/Documentary/?) (6:00am) The Opposite Sex (1956/1h 57m/Comedy/David Miller) (8:00am) MGM CARTOONS: Red Hot Riding Hood (1943/7m/Comedy/Fred [‘Tex’[ Avery) (8:09am) Fortune Seekers (1956/8m/Documentary/Larry O'Reilly) (8:18am) Historic Maryland (1941/8m/Documentary/?) (8:27am) Men of the North (1930/1h 1m/Drama/Hal Roach) (9:30am) The Brink of Doom (1937/?/Action/?) (10:00am) POPEYE: Alona the Sarong Seas (1942/Comedy/Dave Fleischer) (10:08am) Bomba In The Golden Idol (1954/1h 10m/Adventure/?) (11:30am) King of the Islands (1935/17m/Comedy/Ralph Staub) (12:00pm) Tarzan, the Ape Man (1932/1h 39m/Adventure/W. S. Van Dyke) (2:00pm) Lili (1953/1h 21m/Romance/Charles Walters) (3:30pm) Casino Royale (1967/2h 11m/Comedy/John Huston, et. al.) (6:00pm) Top Hat (1935/1h 45m/Comedy/Mark Sandrich) (8:00pm) Gunga Din (1939/1h 57m/Adventure/George Stevens) (10:15pm) The Three Musketeers (1948/2h 5m/Drama/George Sidney) Sun, October 11 (12:30am) The Racket (1951/1h 28m/Crime/John Cromwell) (2:30am) Bananas (1971/1h 21m/Comedy/Woody Allen) (4:00am) Hannah and Her Sisters (1986/1h 46m/Comedy/Woody Allen) (6:00am) A Midsummer Night's Dream (1935/2h 12m/Comedy/Max Reinhardt) (8:30am) Journey for Margaret (1942/1h 21m/Drama/Major W. S. Van Dyke II) (10:00am) The Racket (1951/1h 28m/Crime/John Cromwell) (12:00pm) Sounder (1972/1h 45m/Drama/Martin Ritt) (2:00pm) The Secret Garden (1949/1h 32m/Drama/Fred M. Wilcox) (3:45pm) The Catered Affair (1956/1h 33m/Comedy/Richard Brooks) (5:30pm) Flower Drum Song (1961/2h 13m/Comedy/Henry Koster) (8:00pm) The Front Page (1974/1h 45m/Comedy/Billy Wilder) (10:00pm) The Odd Couple (1968/1h 45m/Comedy/Gene Saks) Mon, October 12 (12:00am) Sidewalk Stories (1989/1h 37m/Comedy/Charles Lane) (2:00am) The Firemen's Ball (1967/1h 13m/Comedy/Miloš Forman) (3:30am) All My Good Countrymen (1968/2h 6m/Comedy/Vojtěch Jasný) (6:00am) The Reptile (1966/1h 30m/HorroJohn Gilling) (7:45am) The Killer Shrews (1959/1h 9m/HorroRay Kellogg) (9:00am) King Kong (1933/1h 40m/Adventure/Merian C. Cooper and Ernest B. Shoedsack) (11:00am) The Beast from 20,000 Fathoms (1953/1h 20m/HorroEugène Lourié) (12:30pm) Gojira (1954/1h 19m/Drama/Ishirô Honda) (2:00pm) Creature from the Black Lagoon (1954/1h 19m/HorroJack Arnold) (3:30pm) Creature From the Haunted Sea (1961/1h/Comedy/Roger Corman) (4:45pm) The Green Slime (1969/1h 30m/HorroKinji Fukasaku) (6:30pm) Night of the Lepus (1972/1h 28m/Comedy/William F. Claxton) (8:00pm) Sword of Sherwood Forest (1960/1h 20m/Adventure/Terence Fisher) (9:30pm) Dr. Who and the Daleks (1965/1h 25m/Sci-Fi/Gordon Flemyng) (11:00pm) Daleks' Invasion Earth: 2150 A. D. (1966/1h 21m/Sci-Fi/Gordon Flemyng) Tue, October 13 (12:30am) She (1965/1h 44m/Drama/Robert Day) (2:30am) Violent Playground (1958/1h 48m/Drama/Basil Dearden) (4:30am) Corruption (1967/1h 31m/HorroRobert Hartford-Davis) (6:00am) Devotion (1931/1h 10m/Drama/Robert Milton) (7:30am) The Runaway Bus (1954/1h 18m/Comedy/Val Guest) (9:00am) The Solitaire Man (1933/1h 7m/Comedy/Jack Conway) (10:30am) Blind Adventure (1933/1h 5m/Crime/Ernest B. Schoedsack) (11:45am) Double Trouble (1967/1h 30m/Romance/Norman Taurog) (1:30pm) A Warm December (1972/1h 39m/Romance/Sidney Poitier) (3:30pm) The V.I.P.s (1963/1h 59m/Drama/Anthony Asquith) (5:45pm) The Prince and the Showgirl (1957/1h 57m/Comedy/Laurence Olivier) (8:00pm) Women Make Film: A New Road Movie Through Cinema 07 (2019/Documentary/Mark Cousins) (9:15pm) Dogfight (1991/1h 34m/Drama/Nancy Savoca) (11:00pm) Women Make Film: A New Road Movie Through Cinema 07 (2019/Mark Cousins) Wed, October 14 (12:15am) Rafiki (2018/1h 23m/Drama/Wanuri Kahiu) (2:30am) First Love (1977/1h 31m/Romance/Joan Darling) (2:00am) The House Is Black (1963/21m/Documentary/Forugh Farrokhzad) (4:15am) The Night Porter (1974/1h 55m/Drama/Liliana Cavani) (6:30am) Le Bonheur (1965/1h 27m/Romance/Agnes Varda) (8:15am) Danzon (1991/1h 43m/Dance/Maria Novaro) (10:15am) The Unholy Three (1925/1h 26m/Drama/Tod Browning) (12:00pm) The Unknown (1927/1h 1m/Drama/Tod Browning) (1:00pm) The Blackbird (1926/1h 26m/Comedy/Tod Browning) (2:30pm) The Thirteenth Chair (1929/1h 12m/Crime/Tod Browning) (4:00pm) Freaks (1932/1h 30m/HorroTod Browning) (5:15pm) Mark of the Vampire (1935/1h 1m/HorroTod Browning) (6:30pm) The Devil-Doll (1936/1h 19m/HorroTod Browning) (8:00pm) Abe Lincoln in Illinois (1940/1h 50m/Biography/John Cromwell) (10:00pm) Sunrise at Campobello (1960/2h 23m/Drama/Vincent J. Donehue) Thu, October 15 (12:45am) PT 109 (1963/2h 20m/Drama/Leslie H. Martinson) (3:15am) 1776 (1972/2h 21m/Comedy/Peter H. Hunt) (6:00am) Three Men on a Horse (1936/1h 28m/Comedy/Mervyn Leroy) (7:30am) Unholy Partners (1941/1h 34m/Drama/Mervyn Leroy) (9:15am) Sweet Adeline (1935/1h 27m/Romance/Mervyn Le Roy) (11:00am) Happiness Ahead (1934/1h 26m/Comedy/Mervyn Le Roy) (12:30pm) Big City Blues (1932/1h 5m/Drama/Mervyn Leroy) (1:45pm) The Bad Seed (1956/2h 9m/HorroMervyn Leroy) (4:00pm) They Won't Forget (1937/1h 30m/Drama/Mervyn Leroy) (5:45pm) Random Harvest (1942/2h 4m/Romance/Mervyn Leroy) (8:00pm) Tunes of Glory (1960/1h 45m/Drama/Ronald Neame) (10:00pm) The Life and Death of Colonel Blimp (1943/2h 43m/Romance/Michael Powell) Fri, October 16 (1:00am) The Seventh Cross (1944/1h 50m/Drama/Fred Zinnemann) (3:00am) The Diary of Anne Frank (1959/2h 50m/Drama/George Stevens) (6:15am) Trances (1981/1h 32m/Documentary/Ahmed El Maanouni) (8:00am) The Little Shop of Horrors (1960/1h 10m/Comedy/Roger Corman) (9:15am) Village of the Damned (1960/1h 17m/HorroWolf Rilla) (10:45am) The Brain That Wouldn't Die (1962/1h 21m/HorroJoseph Green) (12:15pm) Carnival of Souls (1962/1h 20m/HorroHerk Harvey) (1:45pm) Dementia 13 (1963/1h 21m/HorroFrancis Ford Coppola) (3:15pm) The Raven (1963/1h 26m/Comedy/Roger Corman) (4:45pm) Spider Baby (1964/1h 20m/HorroJack Hill) (6:15pm) The Nanny (1965/1h 33m/Drama/Seth Holt) (8:00pm) Dead of Night (1945/1h 44m/HorroAlberto Cavalcanti, et. al.) (10:00pm) Twice Told Tales (1963/1h 59m/HorroSidney Salkow) Sat, October 17 (12:15am) Black Sabbath (1963/1h 40m/HorroMario Bava) (2:00am) Enter the Ninja (1981/1h 39m/Action/Emmett Alston) (3:45am) Revenge Of The Ninja (1983/1h 28m/Action/Sam Firstenberg) (5:30am) Shake Hands With Danger (1970/23m/Documentary/Charles Oldfather, John Clifford and Herk Harvey) (6:00am) The Password Is Courage (1962/1h 56m/Comedy/Andrew L. Stone) (8:00am) MGM CARTOONS: Sheep Wrecked (1958/6m/Comedy/?) (8:08am) Cave Explorers (1957/8m/Documentary/Heinz Scheiderbauer) (8:17am) The Capital City Washington, D.C. (1940/8m/Documentary/?) (8:27am) She Loved a Fireman (1937/57m/Drama/John Farrow) (9:30am) The Indians Are Coming (1937/Action/?) (10:00am) POPEYE: A Hull of a Mess (1942/6m/Comedy/Dave Fleischer) (10:08am) Lord of the Jungle (1955/1h 9m/Adventure/Ford Beebe) (11:30am) Kissing Time (1933/21m/Romance/Roy Mack) (12:00pm) Angel and the Badman (1947/1h 40m/Romance/James Edward Grant) (1:45pm) Captain Horatio Hornblower (1951/1h 57m/Adventure/Raoul Walsh) (4:00pm) Support Your Local Sheriff! (1969/1h 32m/Comedy/Burt Kennedy) (5:45pm) Rollerball (1975/2h 9m/Action/Norman Jewison) (8:00pm) Singin' in the Rain (1952/1h 43m/Comedy/Gene Kelly) (10:00pm) Summer Stock (1950/1h 49m/Musical/Charles Walters) Sun, October 18 (12:00am) Destination Murder (1950/1h 12m/Crime/Edward L. Cahn) (1:45am) The Fearless Vampire Killers; or, Pardon Me but Your Teeth Are in My Neck (1966/1h 38m/HorroRoman Polanski) (3:45am) House of Dark Shadows (1970/1h 37m/HorroDan Curtis) (5:30am) Return to Glennascaul (1953/23m/HorroHilton Edwards) (6:00am) The Life of Emile Zola (1937/2h 3m/Drama/William Dieterle) (8:15am) His Girl Friday (1940/1h 32m/Comedy/Howard Hawks) (10:00am) Destination Murder (1950/1h 12m/Crime/Edward L. Cahn) (11:45am) The Good Earth (1937/2h 18m/Drama/Sidney Franklin) (2:15pm) Written on the Wind (1957/1h 32m/Drama/Douglas Sirk) (4:00pm) Dear Heart (1964/1h 54m/Comedy/Delbert Mann) (6:00pm) Peggy Sue Got Married (1986/1h 45m/Comedy/Francis Ford Coppola) (8:00pm) Cane River (1982/1h 30m/Drama/ (10:00pm) Losing Ground (1982/1h 26m/Comedy/Kathleen Collins) Mon, October 19 (12:00am) Exit Smiling (1926/1h 12m/Comedy/Sam Taylor) (2:00am) I am Waiting (1957/1h 30m/Drama/Koreyoshi Kurahara) (3:45am) A Colt Is My Passport (1967/Drama/Takashi Nomura) (5:30am) MGM Parade Show #5 (1955/ 25m/Documentary/?) (6:00am) I Married a Witch (1942/ 1h 16m/Comedy/René Clair) (7:30am) Mr. and Mrs. Smith (1941/1h 29m/Comedy/Alfred Hitchcock) (9:15am) Touch of Evil (1958/1h 35m/Crime/Orson Welles) (11:30am) Mogambo (1953/1h 55m/Romance/John Ford) (1:45pm) North by Northwest (1959/2h 16m/Adventure/Alfred Hitchcock) (4:15pm) In a Lonely Place (1950/1h 31m/Drama/Nicholas Ray) (6:00pm) Any Number Can Play (1949/1h 52m/Drama/Mervyn Leroy) (8:00pm) The Hound of the Baskervilles (1959/1h 24m/Mystery/Terence Fisher) (9:30pm) Horror of Dracula (1958/1h 21m/HorroTerence Fisher) (11:15pm) The Mummy (1959/1h 26m/HorroTerence Fisher) Tue, October 20 (1:00am) The Curse of Frankenstein (1957/1h 22m/HorroTerence Fisher) (2:45am) Frankenstein Created Woman (1967/1h 32m/HorroTerence Fisher) (4:30am) Frankenstein Must Be Destroyed (1970/1h 37m/HorroTerence Fisher) (6:15am) Front Page Woman (1935/1h 22m/Comedy/Michael Curtiz) (7:45am) Wife Vs. Secretary (1936/1h 28m/Comedy/Clarence Brown) (9:30am) Mr. & Mrs. North (1941/1h 7m/Comedy/Robert B. Sinclair) (10:45am) Theodora Goes Wild (1936/1h 35m/Comedy/Richard Boleslawski) (12:30pm) Breakfast for Two (1937/1h 5m/Comedy/Alfred Santell) (1:45pm) Four's a Crowd (1938/1h 31m/Comedy/Michael Curtiz) (3:30pm) It's a Wonderful World (1939/1h 26m/Comedy/W. S. Van Dyke II) (5:00pm) Fools for Scandal (1938/1h 21m/Comedy/Mervyn Le Roy) (6:30pm) Love on the Run (1936/1h 20m/Comedy/W. S. Van Dyke II) (8:00pm) Women Make Film: A New Road Movie Through Cinema 08 (2019/Documentary/ Mark Cousins) (9:15pm) Tomka and His Friends (1977/Drama/Xhanfise Keko (10:45pm) Women Make Film: A New Road Movie Through Cinema 08 (2019/Mark Cousins) Wed, October 21 (12:00am) Stop-Loss (2008/1h 52m/Drama/Kimberly Peirce) (2:00am) The Third Miracle (1999/1h 59m/Adaptation/Agnieszka Holland) (4:15am) Madeinusa (2006/2h 2m/Drama/Claudia Llosa) (6:00am) Corpo Celeste (2011/1h 40m/Drama/Alice Rohrwacher) (7:45am) The Birth, the Life and the Death of Christ (1906/34m/Short/Alice Guy-Blache) (8:30am) Araya (1959/1h 22m/Documentary/Margot Benacerraf) (10:00am) Children Of A Lesser God (1986/1h 50m/Romance/Randa Raines) (12:15pm) Young Dr. Kildare (1938/1h 7m/Comedy/ Harold S. Bucquet) (1:45pm) Calling Dr. Kildare (1939/1h 26m/Drama/Harold S. Bucquet) (3:30pm) The Secret of Dr. Kildare (1939/1h 24m/Drama/Harold S. Bucquet) (5:00pm) Dr. Kildare Goes Home (1940/1h 18m/Drama/Harold S. Bucquet) (6:30pm) Dr. Kildare's Crisis (1940/1h 15m/Drama/Harold S. Bucquet) (8:00pm) Hard to Handle (1933/1h 15m/Comedy/Mervyn Leroy) (9:30pm) Beast of the City (1932/1h 27m/Drama/Charles Brabin) (11:15pm) They Live by Night (1948/1h 35m/Drama/Nicholas Ray) Thu, October 22 (1:00am) One Way Passage (1932/1h 9m/Romance/Tay Garnett) (2:30am) The Prisoner of Zenda (1952/1h 41m/Romance/Richard Thorpe) (4:15am) Green Fire (1955/1h 40m/Romance/Andrew Marton) (6:00am) Three Faces East (1930/1h 11m/Spy/Roy Del Ruth) (7:30am) Born to Love (1932/1h 24m/Drama/Paul L. Stein) (9:00am) The Common Law (1932/1h 15m/Comedy/Paul L. Stein) (10:30am) Rockabye (1932/1h 7m/Drama/George Cukor) (11:45am) Bed of Roses (1933/1h 7m/Comedy/Gregory Lacava) (1:00pm) Our Betters (1933/1h 23m/Comedy/George Cukor) (2:30pm) Topper (1937/1h 37m/Comedy/Norman Z. McLeod) (4:15pm) Topper Takes a Trip (1939/1h 25m/Comedy/Norman Z. McLeod) (5:45pm) Merrily We Live (1938/1h 30m/Comedy/Norman Z. McLeod) (7:30pm) MGM Parade Show #5 (1955/25m/Documentary/?) (8:00pm) The Killers (1964/1h 37m/Crime/Donald Siegel) (9:45pm) The Breaking Point (1950/1h 37m/Romance/Michael Curtiz) (11:30pm) Mystery of the Wax Museum (1933/1h 12m/HorroMichael Curtiz) Fri, October 23 (1:00am) Night of the Living Dead (1968/1h 36m/HorroGeorge A. Romero) (3:00am) A River Called Titash (1973/2h 39m/Drama/Ritwik Ghatak) (6:00am) Inside Straight (1951/1h 29m/Drama/Gerald Mayer) (7:30am) Absolute Quiet (1936/1h 7m/Drama/George B. Seitz) (8:45am) Chain Lightning (1950/1h 34m/Drama/Stuart Heisler) (10:30am) Tycoon (1947/2h 8m/Romance/Richard Wallace) (12:45pm) No Marriage Ties (1933/1h 5m/Drama/J. Walter Ruben) (2:00pm) Death of a Scoundrel (1956/1h 59m/Comedy/Charles Martin) (4:15pm) Assignment To Kill (1968/1h 42m/Drama/Sheldon Reynolds) (6:00pm) The Drowning Pool (1975/1h 46m/Crime/Stuart Rosenberg) (8:00pm) Creature from the Black Lagoon (1954/1h 19m/HorroJack Arnold) (9:30pm) The Blob (1958/1h 25m/HorroIrvin S. Yeaworth Jr.) (11:00pm) The Tingler (1959/1h 20m/HorroWilliam Castle) Sat, October 24 (12:45am) The Thing from Another World (1951/1h 27m/HorroChristian Nyby) (2:30am) Ninja III--The Domination (1984/1h 35m/Action/Sam Firstenberg) (4:15am) Heavenly Bodies (1985/1h 29m/Comedy/Lawrence Dane) (6:00am) Please Don't Eat the Daisies (1960/1h 51m/Comedy/Charles Walters) (8:00am) MGM CARTOONS: One Cab's Family (1938/7m/Comedy/Fred [Tex] Avery) (8:09am) Black Cats and Broomsticks (1955/8m/Documentary/Larry O'Reilly) (8:18am) Wandering Here and There (1944/8m/Documentary/James A. Fitzpatrick) (8:28am) King of the Lumberjacks (1940/58m/Romance/ William Clemens) (9:30am) The Leap for Life (1937/Action/?) (10:00am) POPEYE: Cartoons Ain't Human (1943/7m/Comedy/Dave Fleischer) (10:09am) Tarzan and the Amazons (19451h 16m/Adventure/Kurt Neumann) (11:30am) The Flame Song (1934/21m/Romance/Joseph Henabery) (12:00pm) Harper (1966/2h 1m/Drama/Jack Smight) (2:15pm) Brainstorm (1983/1h 46m/Drama/Douglas Trumbull) (4:15pm) Men of the Fighting Lady (1954/1h 20m/Drama/Andrew Marton) (5:45pm) Citizen Kane (1941/1h 59m/Drama/Orson Welles) (8:00pm) Ace in the Hole (1951/1h 59m/Drama/Billy Wilder) (10:15pm) Flesh and Fury (1952/1h 22m/Drama/Joseph Pevney) Sun, October 25 (12:00am) Macao (1952/1h 20m/Adventure/Josef Von Sternberg) (1:45am) The Werewolf (1956/1h 23m/HorroFred F. Sears) (3:15am) The Howling (1981/1h 30m/HorroJoe Dante) (5:00am) The Mummy (1932/1h 12m/HorroKarl Freund) (6:15am) Murder on the Blackboard (1934/1h 11m/Comedy/George Archainbaud) (7:30am) All This, and Heaven Too (1940/2h 23m/Romance/Anatole Litvak) (10:00am) Macao (1952/1h 20m/Adventure/Josef Von Sternberg) (12:00pm) The White Cliffs of Dover (1944/2h 6m/Romance/Clarence Brown) (2:15pm) Around the World in 80 Days (1956/2h 50m/Adventure/Michael Anderson) (5:30pm) What Ever Happened to Baby Jane? (1962/2h 12m/Drama/Robert Aldrich) (8:00pm) 3:10 to Yuma (1957/1h 32m/Drama/Delmer Daves) (10:00pm) Gunman's Walk (1958/1h 37m/Drama/Phil Karlson) Mon, October 26 (12:00am) Häxan (1922/1h 46m/HorroBenjamin Christensen) (2:00am) Diabolique (1955/1h 47m/HorroHenri-Georges Clouzot) (4:15am) Eyes Without a Face (1959/1h 28m/HorroGeorges Franju) (6:00am) The Beast with Five Fingers (1946/1h 28m/Drama/Robert Florey) (7:45am) Mara Maru (1952/1h 38m/Adventure/Gordon Douglas) (9:30am) They Won't Believe Me (1947/1h 35m/Drama/Irving Pichel) (11:15am) Where Danger Lives (1950/1h 24m/Crime/John Farrow) (1:00pm) Fingers at the Window (1942/1h 20m/Mystery/Charles Lederer) (2:30pm) Footsteps in the Dark (1941/1h 36m/Comedy/Lloyd Bacon) (4:15pm) Kill or Cure (1962/1h 28m/Comedy/George Pollock) (6:00pm) The Gazebo (1960/1h 40m/Comedy/George Marshall) (8:00pm) Nothing But the Night (1972/1h 30m/HorroPeter Sasdy) (9:45pm) Madhouse (1974/1h 29m/HorroJames Clark) (11:30pm) From Beyond the Grave (1973/1h 37m/HorroKevin Connor) Tue, October 27 (1:30am) Scream and Scream Again (1970/1h 34m/HorroGordon Hessler) (3:15am) The Satanic Rites of Dracula (1973/1h 28m/HorroAlan Gibson) (4:45am) Dracula A.D. 1972 (1972/1h 40m/HorroAlan Gibson) (6:30am) Somewhere in Sonora (1933/59m/Western/Mack V. Wright) (7:45am) Along the Rio Grande (1941/1h 4m/Western/Edward Killy) (9:00am) Valley of the Sun (1942/1h 24m/Western/George Marshall) (10:30am) Sagebrush Trail (1933/58m/Western/Armand Schaefer) (11:30am) Devil's Canyon (1953/1h 32m/Drama/Alfred Werker) (1:15pm) The Hired Gun (1957/1h 3m/Adventure/Ray Nazarro) (2:30pm) Black Patch (1957/1h 22m/Western/Allen H. Miner) (4:00pm) Virginia City (1940/2h 1m/Western/Michael Curtiz) (6:15pm) Escape from Fort Bravo (1953/1h 38m/Drama/John Sturges) (8:00pm) Women Make Film: A New Road Movie Through Cinema 09 (2019/Documentary/Mark Cousins) (9:15pm) Fjols til fjells (1957/1h 30 m/Comedy/Edith Carlmar) (11:00pm) Women Make Film: A New Road Movie Through Cinema 09 (2019/Documentary/Mark Cousins) Wed, October 28 (12:15am) Girlfriends (1978/1h 26m/Comedy/Claudia Weill) (2:00am) The Connection (1962/1h 43m/Drama/Shirley Clarke) (4:00am) Lost in Yonkers (1993/1h 54m/Comedy/Martha Coolidge) (6:00am) Party Girl (1994/1h 34m/Comedy/Daisy Von Scherler Mayer) (7:45am) Mabel's Strange Predicament (1914/Comedy/Mabel Normand) (8:15am) Foreign Letters (2012/1h 40m/Biography/Ela Their) (10:00am) Winter Meeting (1948/1h 44m/Drama/Bretaigne Windust) (12:00pm) I Know Where I'm Going (1945/1h 32m/Comedy/Michael Powell) (1:45pm) The Enchanted Cottage (1945/1h 31m/Romance/John Cromwell) (3:30pm) Random Harvest (1942/2h 4m/Romance/Mervyn Leroy) (6:00pm) Desire Me (1947/1h 31m/Drama/George Cukor) (8:00pm) The Best Man (1964/1h 42m/Drama/Franklin J. Schaffner) (10:00pm) The Last Hurrah (1958/2h 1m/Drama/John Ford) Thu, October 29 (12:15am) The Great McGinty (1940/1h 22m/Comedy/Preston Sturges) (2:00am) The Candidate (1972/1h 49m/Drama/Michael Ritchie) (4:00am) All the King's Men (1949/1h 49m/Drama/Robert Rossen) (6:00am) Haunted Gold (1932/58m/Western/Mack V. Wright) (7:00am) The Devil-Doll (1936/1h 19m/HorroTod Browning) (8:30am) Before Dawn (1933/1h/Mystery/Irving Pichel) (9:45am) Man Alive (1946/1h 10m/Comedy/Ray Enright) (11:00am) Tormented (1960/1h 15m/Drama/Bert I. Gordon) (12:30pm) Angel on My Shoulder (1946/1h 41m/Comedy/Archie Mayo) (2:15pm) Night of Dark Shadows (1971/1h 37m/HorroDan Curtis) (4:00pm) Indestructible Man (1956/1h 10m/HorroJack Pollexfen) (5:15pm) From Hell It Came (1957/1h 11m/HorroDan Milner) (6:30pm) Death Curse of Tartu (1966/1h 27m/HorroWilliam Grefé) (8:00pm) Winchester '73 (1950/1h 32m/Western/Anthony Mann) (10:00pm) She Wore a Yellow Ribbon (1949/1h 43m/Drama/John Ford) Fri, October 30 (12:00am) Primary (1960/1h/Documentary/Robert Drew) (1:15am) Crisis: Behind a Presidential Commitment (1963/58m/Documentary/Robert Drew) (2:15am) Dos Monjes (1934/Drama/ (4:00am) Of Mice and Men (1939/1h 47m/Drama/Lewis Milestone) (6:00am) MGM Parade Show #5 (1955/25m/Documentary/?) (6:30am) Doctor X (1932/1h 16m/HorroMichael Curtiz) (8:00am) The Mask of Fu Manchu (1932/1h 12m/Adventure/ Charles Brabin) (9:30am) The Most Dangerous Game (1932/1h 3m/Drama/Ernest B. Schoedsack) (10:45am) Island of Lost Souls (1932/1h 10m/Romance/Erle C. Kenton) (12:00pm) White Zombie (1932/1h 13m/HorroVictor Halperin) (1:30pm) The Vampire Bat (1933/1h 3m/HorroFrank Strayer) (2:45pm) Mystery of the Wax Museum (1933/1h 12m/HorroMichael Curtiz) (4:15pm) Mad Love (1935/1h 7m/HorroKarl Freund) (5:30pm) The Walking Dead (1936/1h 6m/HorroMichael Curtiz) (6:45pm) The Return of Dr. X (1939/1h 2m/HorroVincent Sherman) (8:00pm) The Four Skulls of Jonathan Drake (1959/1h 10m/HorroEdward L. Cahn) (9:15pm) Eye of the Devil (1966/1h 29m/HorroJ. Lee Thompson) (11:00pm) The Devil's Bride (1968/1h 35m/HorroTerence Fisher) Sat, October 31 (12:45am) The Wicker Man (1974/1h 37m/HorroRobin Hardy) (2:30am) Fleshpot on 42nd Street (1972/1h 20m/HorroAndy Milligan (4:00am) Guru the Mad Monk (1970/1h 2m/HorroAndy Milligan) (5:15am) Distant Drummer: Flowers of Darkness (1972/22m/Documentary/William Templeton) (6:00am) Freaks (1932/1h 30m/HorroTod Browning) (7:15am) Dr. Jekyll and Mr. Hyde (1932/1h 30m/HorroRouben Mamoulian) (9:00am) House of Wax (1953/1h 28m/HorroAndre Detoth) (10:45am) Children of the Damned (1964/1h 30m/HorroAnton M. Leader) (12:30pm) The Bad Seed (1956/2h 9m/HorroMervyn Leroy) (2:45pm) The Picture of Dorian Gray (1945/1h 50m/Drama/Albert Lewin) (4:45pm) The Wolf Man (1941/1h 11m/HorroGeorge Waggner) (6:00pm) The Haunting (1963/1h 52m/Drama/Robert Wise (8:00pm) Dr. Strangelove or: How I Learned To Stop Worrying and Love the Bomb (1964/1h 33m/Comedy/Stanley Kubrick) (10:00pm) Them! (1954/1h 34m/HorroGordon Douglas)
Peter Cushing is the Star of the Month for October, 2020 on TCM (U.S.)
Every Monday from 8:00 p.m. till just after the sun comes up. Thursday, October 01, 2020 (12:00 AM) (drama) Up The Down Staircase (1967/124 m/Robert Mulligan) (2:15 AM) (comedy) Our Miss Brooks (1956/85 m/Al Lewis) (4:00 AM) (drama)The Corn Is Green (1945/114 m/Irving Rapper) (6:00 AM) (comedy) Girl He Left Behind (1956/103 m/David Butler) (8:00 AM) (war) Lafayette Escadrille (1958/93 m/William A. Wellman) (9:45 AM) (comedy) Dondi (1961/100 m/Albert Zugsmith) (11:30 AM) (epic) The Shoes of the Fisherman (1968/162 m/Michael Anderson) (2:15 PM) (crime) Ring of Fire (1961/91 m/Andrew L. Stone) (4:00 PM) (suspense) Twenty Plus Two (1961/103 m/Joseph M. Newman) (5:45 PM) (horror) Marooned (1969/129 m/John Sturges) (8:00 PM) (drama) La Strada (1954/108 m/Federico Fellini) (10:00 PM) (romance) Two for the Road (1967/111 m/Stanley Donen) Friday, October 02, 2020 (12:00 AM) (romance) Dodsworth (1936/101 m/William Wyler) (2:00 AM) (documentary) The Memphis Belle: A Story of a Flying Fortress (1944/40 m/Lt. Col. William Wyler) (3:00 AM) (drama) Black Girl (1966/60 m/Ousmane Sembene) (4:15 AM) (drama) The Music Room (1958/99 m/Satyajit Ray) (6:00 AM) (comedy) Go West (1940/80 m/Edward Buzzell) (7:45 AM) (comedy) The Big Store (1941/83 m/Charles Riesner) (9:30 AM) (comedy) Double Dynamite (1951/81 m/Irving Cummings) (11:00 AM) (comedy) Girl In Every Port (1952/86 m/Chester Erskine) (12:30 PM) (comedy) A Day at the Races (1937/109 m/Sam Wood) (2:30 PM) (comedy) At the Circus (1939/87 m/Edward Buzzell) (4:15 PM) (comedy) A Night at the Opera (1935/91 m/Sam Wood) (6:00 PM) (epic) The Story of Mankind (1957/100 m/Irwin Allen) (8:00 PM) (horror) Dracula (1931/74m/Tod Browning) (9:30 PM) (suspense) Cat People (1942/73 m/Jacques Tourneur) (11:00 PM) (horror) House on Haunted Hill (1958/75 m/William Castle) Saturday, October 03, 2020 (12:30 AM) (horror) The Haunting (1963/112 m/Robert Wise) (3:45 AM) (premiere) Wigstock: The Movie (1995/85 m/Barry Shils) (5:15 AM) (short) The Relaxed Wife (1957/13 m/?) (5:15 AM) (short) Time Out for Trouble (1961/19m/David S. Glidden) (6:00 AM) (comedy) Million Dollar Baby (1941/101 m/Curtis Bernhardt) (8:00 AM) (premiere) MGM CARTOONS: The Peachy Cobbler (1950/7 m/Fred (Tex) Avery) (8:08 AM) (short) Phonies Beware! (1956/8 m/Larry O'Reilly) (8:17 AM) (short) Night Life in Chicago (1948/9 m/?) (8:27 AM) (premiere) Arctic Fury (1949/61 m/Norman Dawn) (9:30 AM) (premiere) THE WILD WEST DAYS: Redskins’ Revenge (1937/?/?) (10:00 AM) (premiere) POPEYE: Baby Wants a Bottleship (1942/7 m/Dave Fleischer) (10:08 AM) (adventure) Safari Drums (1953/71 m/Ford Beebe) (11:30 AM) (documentary) Alaska Lifeboat (1956/21 m/Herbert Morgan) (12:00 PM) (drama) The Prince and the Pauper (1937/118 m/William Keighley) (2:15 PM) (crime) Key Largo (1948/100 m/John Huston) (4:15 PM) (drama) The Defiant Ones (1958/96 m/Stanley Kramer) (6:00 PM) (romance) The Thomas Crown Affair (1968/102 m/Norman Jewison) (8:00 PM) (epic) Lawrence of Arabia (1962/227 m/David Lean) Sunday, October 04, 2020 (12:00 AM) (crime) Where the Sidewalk Ends (1950/95 m/Otto Preminger) (2:00 AM) (western) Across the Wide Missouri (1951/78 m/William Wellman) (3:30 AM) (musical) On An Island With You (1948/108 m/Richard Thorpe) (5:30 AM) (short) Inflation (1942/17 m/Cy Endfield) (6:00 AM) (romance) The Last of Mrs. Cheyney (1937/98 m/Richard Boleslawski) (7:45 AM) (romance) Humoresque (1946/124 m/Jean Negulesco) (10:00 AM) (crime) Where the Sidewalk Ends (1950/95 m/Otto Preminger) (12:00 PM) (comedy) Mr. Belvedere Goes to College (1949/83 m/Elliott Nugent) (1:30 PM) (comedy) The Women (1939/133 m/George Cukor) (4:00 PM) (musical) Bye Bye Birdie (1963/112 m/George Sidney) (6:00 PM) (documentary) The Great Buster: A Celebration (2018/101 m/Peter Bogdanovich) (8:00 PM) (silent) Sherlock Jr. (1924/46 m/Buster Keaton) (9:00 PM) (silent) The General (1927/79 m/Buster Keaton) (10:30 PM) (silent) Steamboat Bill Jr. (1928/71 m/Charles F. Reisner) Monday, October 05, 2020 (12:00 AM) (silent) Seven Chances (1925/57 m/Buster Keaton) (2:00 AM) (drama) Viridiana (1961/91 m/Luis Buñuel) (3:45 AM) (drama) The Exterminating Angel (1962/92 m/Luis Buñuel) (5:30 AM) (documentary) MGM Parade Show #5 (1955/26 m/?) (6:00 AM) (musical) Roberta (1935/106 m/William A. Seiter) (8:00 AM) (musical) Fashions of 1934 (1934/78 m/William Dieterle) (9:30 AM) (drama) Stolen Holiday (1937/80 m/Michael Curtiz) (11:00 AM) (comedy) Designing Woman (1957/118 m/Vincente Minnelli) (1:00 PM) (comedy) Made in Paris (1966/103 m/Boris Sagal) (2:45 PM) (romance) A Place for Lovers (1969/88 m/Vittorio De Sica) (4:30 PM) (horror) Blood and Black Lace (1964/88 m/Mario Bava) (6:00 PM) (suspense) Lured (1947/103 m/Douglas Sirk) (8:00 PM) (crime) Cash on Demand (1961/80 min/Quentin Lawrence) (9:30 PM) (romance) The End of the Affair (1955/106 m/Edward Dmytryk) (11:30 PM) (crime) Time Without Pity (1957/85 m/Joseph Losey) Tuesday, October 06, 2020 (1:15 AM) (adventure) John Paul Jones (1959/126 m/John Farrow) (3:30 AM) (drama) Hamlet (1948/154 m/Laurence Olivier) (6:15 AM) (comedy) A Chump at Oxford (1940/63 m/Alfred Goulding) (7:30 AM) (drama) Vigil in the Night (1940/102 m/George Stevens) (9:15 AM) (comedy) The Gay Bride (1934/80 m/Jack Conway) (10:45 AM) (musical) Swing High, Swing Low (1937/83 m/Mitchell Leisen) (12:15 PM) (comedy) Love Before Breakfast (1936/70 m/Walter Lang) (1:30 PM) (comedy) Nothing Sacred (1937/74 m/William A. Wellman) (3:00 PM) (comedy) Mr. and Mrs. Smith (1941/95 m/Alfred Hitchcock) (4:45 PM) (comedy) To Be or Not to Be (1942/99 m/Ernst Lubitsch) (6:30 PM) (documentary) The Golden Age of Comedy (1957/79 m/various) (9:15 PM) (drama) The Ascent (1977/109 m/Larisa Sheptiko) Wednesday, October 07, 2020 (12:30 AM) Meek's Cutoff (2010/104 m/Kelly Reichardt) (2:30 AM) (short) Meshes of the Afternoon (1944/14 m/Maya Deren) (4:30 AM) (comedy) Daisies (1966/76 m/Vera Chytilová (6:00 AM) (premiere) Cameraperson (2016/102 m/Kirsten Johnson) (9:15 AM) (drama) The Journey (1959/126 m/Anatole Litvak) (11:30 AM) (drama) The Squall (1929/102 mAlexander Korda) (1:30 PM) (short) Beautiful Budapest (1938/9 m/?) (1:45 PM) (short) Rural Hungary (1939/9 m/James A. FitzPatrick) (2:00 PM) (drama) Fight For Your Lady (1938/66 m/Ben Stoloff) (3:15 PM) (drama) Storm at Daybreak (1933/79 m/Richard Boleslavsky) (4:45 PM) (romance) The Shop Around the Corner (1940/99 m/Ernst Lubitsch) (6:30 PM) (musical) One Heavenly Night (1930/80 m/Geo. Fitzmaurice) (8:00 PM) (comedy) No Time For Sergeants (1958/119 m/Mervyn LeRoy) (10:15 PM) (drama) A Face in the Crowd (1957/126 m/Elia Kazan) Thursday, October 08, 2020 (12:30 AM) (western) Hearts of the West (1975/102 m/Howard Zieff) (2:30 AM) (comedy) Onionhead (1958/110 m/Norman Taurog) (4:30 AM) (comedy) Thunder Afloat (1939/95 m/George B. Seitz) (6:15 AM) (crime) The Public Enemy (1931/84 m/William A. Wellman) (8:15 AM) (romance) Red-Headed Woman (1932/79 m/Jack Conway) (9:45 AM) (comedy) Dinner at Eight (1933/111 m/George Cukor) (11:45 AM) (comedy) Saratoga (1937/92 m/Jack Conway) (1:30 PM) (romance) Hold Your Man (1933/87 m/Sam Wood) (3:15 PM) (romance) Red Dust (1932/83 m/Victor Fleming) (4:45 PM) (comedy) Personal Property (1937/84 m/W. S. Van Dyke II) (6:15 PM) (comedy) Bombshell (1933/96 m/Victor Fleming) (8:00 PM) (comedy) The Front Page (1931/101 m/Lewis Milestone) (10:00 PM) (suspense) Detour (1945/68 m/Edgar G. Ulmer) (11:30 PM) (drama) The Man with the Golden Arm (1956/119m/Otto Preminger) Friday, October 09, 2020 (1:45 AM) (romance) Love Affair (1939/88 m/Leo McCarey) (3:30 AM) (crime) A Brighter Summer Day (1991/237 m/Edward Yang) (7:00 AM) (short) Alice in Movieland (1940/22 m/Jean Negulesco) (7:45 AM) (drama) Nora Prentiss (1947/111 m/Vincent Sherman) (9:45 AM) (crime) Born to Kill (1947/92 m/Robert Wise) (11:30 AM) (drama) Dark Passage (1947/106 m/Delmer Daves) (1:30 PM) (suspense) Out of the Past (1947/97 m/Jacques Tourneur) (3:15 PM) (crime) Race Street (1948/79 m/Edwin L. Marin) (4:45 PM) (suspense) Impact (1949/111 m/Arthur Lubin) (6:45 PM) (suspense) The Woman On Pier 13 (1950/73 m/Robert Stevenson) (8:00 PM) (horror) The Ghoul (1933/81 m/T. Hayes Hunter) (9:30 PM) (horror) The Black Sleep (1956/82 m/Reginald LeBorg) (11:00 PM) (horror) Mark of the Vampire (1935/60 m/Tod Browning) Saturday, October 10, 2020 (12:15 AM) (horror) Night of the Living Dead (1968/96 m/George A. Romero) (2:00 AM) (adventure) White Lightning (1973/101 m/Joseph Sargent) (3:45 AM) (drama) Gator (1976/116 m/Burt Reynolds) (5:45 AM) (short) The Corvair in Action! (1960/6 m/?) (6:00 AM) (musical) The Opposite Sex (1956/116 m/David Miller) (8:00 AM) (premiere) MGM Cartoons: Red Hot Riding Hood (1943/7 m/Fred (Tex) Avery) (8:09 AM) (short) Fortune Seekers (1956/8 m/Larry O'Reilly) (8:18 AM) (documentary) Historic Maryland (1941/8 m/?) (8:27 AM) (drama) Men of the North (1930/61 m/Hal Roach) (9:30 AM) (premiere) THE WILD WEST DAYS: Brink of Doom (1937/?/?) (10:00 AM) (premiere) POPEYE: Alona the Sarong Seas (1942/7 m/Dave Fleischer) (10:08 AM) (premiere) The Golden Idol (1954/71 m/Ford Beebe) (11:30 AM) (comedy) King Of The Islands (1935/17 m/Ralph Staub) . (12:00 PM) (adventure) Tarzan The Ape Man (1932/100 m/W. S. Van Dyke II) (2:00 PM) (musical) Lili (1953/81 m/Charles Walters) (3:30 PM) (comedy) Casino Royale (1967/131 m/John Huston, et. al.) (6:00 PM) (musical) Top Hat (1935/100 m/Mark Sandrich) (8:00 PM) (adventure) Gunga Din (1939/117 m/George Stevens) (10:15 PM) (adventure) The Three Musketeers (1948/126 m/George Sidney) Sunday, October 11, 2020 (12:30 AM) (crime) The Racket (1951/89 m/John Cromwell) (2:30 AM) (comedy) Bananas (1971/82 m/Woody Allen) (4:00 AM) (comedy) Hannah and Her Sisters (1986/107 m/Woody Allen) (6:00 AM) (comedy) A Midsummer Night's Dream (1935/143 m/Max Reinhardt) (8:30 AM) (drama) Journey For Margaret (1942/81 m/Major W. S. Van Dyke II) (10:00 AM) (crime) The Racket (1951/89 m/John Cromwell) (12:00 PM) (drama) Sounder (1972/105 m/Martin Ritt) (2:00 PM) (drama) The Secret Garden (1949/92 m/Fred M. Wilcox) (3:45 PM) (drama) The Catered Affair (1956/94 m/Richard Brooks) (5:30 PM) (musical) Flower Drum Song (1961/131 m/Henry Koster) (8:00 PM) (comedy) The Front Page (1974/105 m/Billy Wilder) (10:00 PM) (comedy) The Fortune Cookie (1966/126 m/Billy Wilder) Monday, October 12, 2020 (12:15 AM) (comedy) Sidewalk Stories (1989/99 m/Charles Lane) (2:15 AM) (comedy) The Firemen's Ball (1967/73 m/Milos Forman) (3:45 AM) (premiere) All My Good Countrymen (1968/126 m/Vojtěch Jasný) (6:00 AM) (horror) The Reptile (1966/90 m/John Gilling) (7:45 AM) (horror) The Killer Shrews (1959/68 m/Ray Kellogg) (9:00 AM) (horror) King Kong (1933/104 m/Merian C. Cooper) (11:00 AM) (horror) The Beast From 20,000 Fathoms (1953/80 m/Eugene Lourié) (12:30 PM) (horror) Gojira (1954/96 m/Ishiro Honda) (2:00 PM) (horror) Creature from the Black Lagoon (1954/79 m/Jack Arnold) (3:30 PM) (horror) Creature from the Haunted Sea (1961/59 m/Roger Corman) (4:45 PM) (horror) The Green Slime (1969/90 m/Kinji Fukasaku) (6:30 PM) (horror) Night of the Lepus (1972/88 m/William F. Claxton) (8:00 PM) (adventure) Sword of Sherwood Forest (1960/80 m/Terence Fisher) (11:00 PM) (horror) Daleks - Invasion Earth 2150 A.D. (1966/81 m/Gordon Flemyng) Tuesday, October 13, 2020 (12:30 AM) (adventure) She (1965/106 m/Robert Day) (2:30 AM) (crime) Violent Playground (1958/106 m/Basil Dearden) (4:30 AM) (premiere) In Saigon: Some May Live (1967/89 m/Vernon Sewell) (6:00 AM) (drama) Devotion (1931/81 m/Robert Milton) (7:30 AM) (comedy) The Runaway Bus (1954/74 m/Val Guest) (9:00 AM) (crime) The Solitaire Man (1933/67 m/Jack Conway) (10:30 AM) (suspense) Blind Adventure (1933/63 m/Ernest B. Schoedsack) (11:45 AM) (musical) Double Trouble (1967/92 m/Norman Taurog) (1:30 PM) (romance) A Warm December (1972/101 m/Sidney Poitier) (3:30 PM) (drama) The V.I.P.S (1963/119 m/Anthony Asquith) (5:45 PM) (comedy) The Prince and the Showgirl (1957/117 m/Laurence Olivier) Wednesday, October 14, 2020 (2:00 AM) (documentary) The House Is Black (1963/22 m/?) (2:30 AM) (romance) First Love (1977/91 m/Joan Darling) (4:15 AM) (drama) The Night Porter (1974/118 m/Liliana Cavani) (6:30 AM) (drama) Le Bonheur (1965/80 m/Agnes Varda) (10:15 AM) (silent) The Unholy Three (1925/86 m/Tod Browning) (12:00 PM) (silent) The Unknown (1927/49 m/Tod Browning) (1:00 PM) (silent) The Blackbird (1926/86 m/Tod Browning) (2:30 PM) (horror) The Thirteenth Chair (1929/73 m/Tod Browning) (4:00 PM) (horror) Freaks (1932/62 m/Tod Browning) (5:15 PM) (horror) Mark of the Vampire (1935/60 m/Tod Browning) (6:30 PM) (horror) The Devil-Doll (1936/78 m/Tod Browning) (8:00 PM) (drama) Abe Lincoln in Illinois (1940/110 m/John Cromwell) (10:00 PM) (drama) Sunrise at Campobello (1960/144 m/Vincent J. Donehue) Thursday, October 15, 2020 (12:45 AM) (drama) Wilson (1944/154 m/Henry King) (3:30 AM) (war) PT 109 (1963/140 m/Leslie H. Martinson) . (6:00 AM) (comedy) Three Men on a Horse (1936/86 m/Mervyn LeRoy) (7:30 AM) (crime) Unholy Partners (1941/94 m/Mervyn LeRoy) (9:15 AM) (musical) Sweet Adeline (1935/88 m/Mervyn Le Roy) (11:00 AM) (comedy) Happiness Ahead (1934/86 m/Mervyn Le Roy) (12:30 PM) (drama) Big City Blues (1932/63 m/Mervyn LeRoy) (1:45 PM) (suspense) The Bad Seed (1956/129 m/Mervyn LeRoy) (4:00 PM) (drama) They Won't Forget (1937/95 m/Mervyn LeRoy) (5:45 PM) (romance) Random Harvest (1942/126 m/Mervyn LeRoy) (8:00 PM) (war) Tunes of Glory (1960/107 m/Ronald Neame) (10:00 PM) (war) The Life and Death of Colonel Blimp (1943/164 m/Michael Powell) Friday, October 16, 2020 (1:00 AM) (war) The Seventh Cross (1944/112 m/Fred Zinnemann) (3:00 AM) (drama) The Diary of Anne Frank (1959/180 m/George Stevens) (6:15 AM) (documentary) Trances (1981/89 m/Ahmed El Maanouni) (8:00 AM) (comedy) Little Shop of Horrors (1960/72 m/Roger Corman) (9:15 AM) (horror) Village of the Damned (1960/77 m/Wolf Rilla) (10:45 AM) (horror) The Brain That Wouldn't Die (1962/82 m/Joseph Green) (12:15 PM) (horror) Carnival of Souls (1962/78 m/Herk Harvey) (1:45 PM) (horror) Dementia 13 (1963/75 m/Francis Ford Coppola) (3:15 PM) (horror) The Raven (1963/86 m/Roger Corman) (4:45 PM) (horror) Spider Baby (1964/84 m/Jack Hill) (6:15 PM) (horror) The Nanny (1965/93 m/Seth Holt) (8:00 PM) (horror) Dead of Night (1945/103 m/Alberto Cavalcanti, Basil Dearden, Robert Hamer, Charles Crichton) (10:00 PM) (horror) Twice-Told Tales (1963/120 m/Sidney Salkow) Saturday, October 17, 2020 (12:15 AM) (horror) Black Sabbath (1963/96 m/Mario Bava) (2:00 AM) (premiere) Enter the Ninja (1981/99 m/Menahem Golan) (3:45 AM) (premiere) Revenge of the Ninja (1983/?/Sam Firstenberg) (5:30 AM) (short) Shake Hands With Danger (1970/23 m/?) (6:00 AM) (war) The Password Is Courage (1962/115 m/Andrew L. Stone) (8:00 AM) MGM CARTOONS: Sheep Wrecked (1958/6 m/Michael Lah) (8:08 AM) (documentary) Cave Explorers (1957/8 m/Heinz Scheiderbauer) (8:17 AM) (short) The Capital City Washington, D.C. (1940/9 m/?) (8:27 AM) (drama) She Loved A Fireman (1937/58 m/John Farrow) (9:30 AM) (premiere) The WILD WEST DAYS: Indians Are Coming (1937/?/?) (10:00 AM) (premiere) POPEYE: A Hull of a Mess (1942/6 m/Dave Fleischer) (10:08 AM) (adventure) Lord of the Jungle (1955/69 m/Ford Beebe) (11:30 AM) (short) Kissing Time (1933/22 m/Roy Mack) (12:00 PM) (western) Angel And The Badman (1947/100 m/James Edward Grant) (1:45 PM) (adventure) Captain Horatio Hornblower (1951/117 m/Raoul Walsh) (4:00 PM) (comedy) Support Your Local Sheriff! (1969/93 m/Burt Kennedy) (5:45 PM) (horror) Rollerball (1975/125 m/Norman Jewison) (8:00 PM) (musical) Singin' in the Rain (1952/103 m/Gene Kelly) (10:00 PM) (musical) Summer Stock (1950/109 m/Charles Walters) Sunday, October 18, 2020 (12:00 AM) (crime) Destination Murder (1950/73 m/Edward L. Cahn) (1:45 AM) (comedy) The Fearless Vampire Killers or Pardon Me, But Your Teeth Are in My Neck (1966/107 m/Roman Polanski) (3:45 AM) (horror) House of Dark Shadows (1970/97 m/Dan Curtis) (5:30 AM) (short) Return to Glennascaul (1953/24 m/Hilton Edwards) (6:00 AM) (drama) The Life of Emile Zola (1937/116 m/William Dieterle) (8:15 AM) (comedy) His Girl Friday (1940/92 m/Howard Hawks) (10:00 AM) (crime) Destination Murder (1950/73 m/Edward L. Cahn) (11:45 AM) (epic) The Good Earth (1937/138 m/Sidney Franklin) (2:15 PM) (drama) Written on the Wind (1957/99 m/Douglas Sirk) (4:00 PM) (romance) Dear Heart (1964/114 m/Delbert Mann) (6:00 PM) (comedy) Peggy Sue Got Married (1986/105 m/Francis Ford Coppola) (10:00 PM) (comedy) Losing Ground (1982/86 m/Kathleen Collins) Monday, October 19, 2020 (12:00 AM) (silent) Exit Smiling (1926/77 m/Sam Taylor) (2:00 AM) (premiere) I Am Waiting (1957/91 m/Koreyoshi Kurahara) (3:45 AM) (premiere) A Colt Is My Passport (1967/84 m/Takashi Nomura) . (5:30 AM) (documentary) MGM Parade Show #5 (1955/26 m/?) (6:00 AM) (comedy) I Married a Witch (1942/77 m/René Clair) (7:30 AM) (comedy) Mr. and Mrs. Smith (1941/95 m/Alfred Hitchcock) (9:15 AM) (crime) Touch of Evil (1958/111 m/Orson Welles) (11:30 AM) (adventure) Mogambo (1953/116 m/John Ford) (1:45 PM) (suspense) North by Northwest (1959/136 m/Alfred Hitchcock) (4:15 PM) (drama) In A Lonely Place (1950/93 m/Nicholas Ray) (6:00 PM) (war) Any Number Can Play (1949/103 m/Mervyn LeRoy) (8:00 PM) (suspense) The Hound of the Baskervilles (1959/87 m/Terence Fisher) (9:30 PM) (horror) Horror of Dracula (1958/81 m/Terence Fisher) (11:15 PM) (horror) The Mummy (1959/88 m/Terence Fisher) (1:00 AM) (horror) The Curse of Frankenstein (1957/83 min/Terence Fisher) (2:45 AM) (horror) Frankenstein Created Woman (1967/92 min/Terence Fisher) (4:30 AM) (horror) Frankenstein Must Be Destroyed! (1970/101 m/Terence Fisher) Tuesday, October 20, 2020 (6:15 AM) (comedy) Front Page Woman (1935/82 m/Michael Curtiz) (7:45 AM) (romance) Wife Vs. Secretary (1936/88 m/Clarence Brown) (9:30 AM) (suspense) Mr. And Mrs. North (1941/67 m/Robert B. Sinclair) (10:45 AM) (comedy) Theodora Goes Wild (1936/94 m/Richard Boleslawski) (12:30 PM) (comedy) Breakfast for Two (1937/68 m/Alfred Santell) (1:45 PM) (comedy) Four's A Crowd (1938/92 m/Michael Curtiz) (3:30 PM) (comedy) It's A Wonderful World (1939/86 m/W. S. Van Dyke II) (5:00 PM) (comedy) Fools For Scandal (1938/80 m/Mervyn Le Roy) (6:30 PM) (romance) Love on the Run (1936/80 m/W. S. Van Dyke) (8:00 PM) (premiere) Women Make Film: A New Road Movie Through Cinema #8 (2018/?/Mark Cousins) (9:15 PM) TBA (10:45 PM) (documentary)) Women Make Film: A New Road Movie Through Cinema #8 (2018/?/Mark Cousins) __ Wednesday, October 21, 2020 (2:00 AM) (premiere) The Third Miracle (1999/119 m/Agnieszka Holland) (7:45 AM) (short) The Birth, the Life and the Death of Christ (1906/34 m/Alice Guy-Blache) (8:30 AM) (documentary) Araya (1959/83 m/Margot Benacerraf) (10:00 AM) (drama) Children of a Lesser God (1986/119 m/Randa Haines) (12:15 PM) (drama) Young Dr. Kildare (1938/82 m/Harold S. Bucquet) (1:45 PM) (drama) Calling Dr. Kildare (1939/86 m/Harold S. Bucquet) (3:30 PM) (drama) The Secret of Dr. Kildare (1939/84 m/Harold S. Bucquet) (5:00 PM) (drama) Dr. Kildare Goes Home (1940/79 m/Harold S. Bucquet) (6:30 PM) (drama) Dr. Kildare's Crisis (1940/75 m/Harold S. Bucquet) (8:00 PM) (comedy) Hard To Handle (1933/78 m/Mervyn LeRoy) (9:30 PM) (crime) The Beast Of The City (1932/86 m/Charles Brabin) (11:15 PM) (drama) One Way Passage (1942/67 m/Tay Garnett) Thursday, October 22, 2020 (12:45 AM) (crime) They Live By Night (1948/95 m/Nicholas Ray) (2:30 AM) (adventure) The Prisoner of Zenda (1952/100 m/Richard Thorpe) (4:15 AM) (adventure) Green Fire (1955/100 m/Andrew Marton) (6:00 AM) (adventure) Three Faces East (1930/71 m/Roy Del Ruth) (7:30 AM) (drama) Born to Love (1932/81 m/Paul L. Stein) (9:00 AM) (drama) The Common Law (1932/74 m/Paul L. Stein) (10:30 AM) (drama) Rockabye (1932/68 m/George Cukor) (11:45 AM) (drama) Bed of Roses (1933/ 67 /Gregory LaCava) (1:00 PM) (drama) Our Betters (1933/83 m/George Cukor) (2:30 PM) (comedy) Topper (1937/97 m/Norman Z. McLeod) (4:15 PM) (comedy) Topper Takes a Trip (1939/80 m/Norman Z. McLeod) (5:45 PM) (comedy) Merrily We Live (1938/95 m/Norman Z. McLeod) (7:30 PM) (documentary) MGM Parade Show #5 (1955/26 m/?) (8:00 PM) (crime) The Killers (1964/93 m/Donald Siegel) (9:45 PM) (drama) The Breaking Point (1950/97 m/Michael Curtiz) (11:30 PM) (horror) The Mystery Of The Wax Museum (1933/77 m/Michael Curtiz) Friday, October 23, 2020 (1:00 AM) (horror) Night of the Living Dead (1968/96 m/George A. Romero) (3:00 AM) (premiere) A River Called Titas (1973/158 m/Ritwik Ghatak) (6:00 AM) (drama) Inside Straight (1951/87 m/Gerald Mayer) (7:30 AM) (crime) Absolute Quiet (1936/70 m/George B. Seitz) (8:45 AM) (drama) Chain Lightning (1950/95 m/Stuart Heisler) (10:30 AM) (adventure) Tycoon (1947/129 m/Richard Wallace) (12:45 PM) (drama) No Marriage Ties (1933/72 m/J. Walter Ruben) (2:00 PM) (drama) Death of a Scoundrel (1956/120 m/Charles Martin) (4:15 PM) (crime) Assignment To Kill (1968/99 m/Sheldon Reynolds) (6:00 PM) (suspense) The Drowning Pool (1975/108 m/Stuart Rosenberg) (8:00 PM) (horror) Pit and the Pendulum (1961/80 m/Roger Corman) (9:45 PM) (horror) Spirits of the Dead (1968/121 m/Federico Fellini, Louis Malle, Roger Vadim) Saturday, October 24, 2020 (12:00 AM) (horror) Murders In The Rue Morgue (1971/98 m/Gordon Hessler) (2:00 AM) (premiere) Ninja III: The Domination (1984/95 m/Sam Firstenberg) (3:45 AM) (drama) Heavenly Bodies (1985/89 m/Lawrence Dane) (5:30 AM) (short) Keep Off The Grass (1969/21 m/?) (6:00 AM) (comedy) Please Don't Eat the Daisies (1960/111 m/Charles Walters) (8:00 AM) (premiere) MGM CARTOONS: One Cab's Family (1938/8 m/Fred (Tex) Avery) (8:09 AM) (documentary) Black Cats and Broomsticks (1955/8 m/Larry O'Reilly) (8:18 AM) (short) Wandering Here and There (1944/9 m/James A. FitzPatrick) (8:28 AM) (romance) King Of The Lumberjacks (1940/59 m/William Clemens) (9:30 AM) (premiere) THE WILD WEST DAYS: Leap For Life (1937/?/?) (10:00 AM) (premiere) POPEYE: Cartoons Ain’t Human (1943/7 m/Dave Fleischer) (10:09 AM) (adventure) Tarzan And The Amazons (1945/76 m/Kurt Neumann) (11:30 AM) (short) The Flame Song (1934/22 m/Joseph Henabery) (12:00 PM) (suspense) Harper (1966/121 m/Jack Smight) (2:15 PM) (horror) Brainstorm (1983/106 m/Douglas Trumbull) (4:15 PM) (war) Men Of The Fighting Lady (1954/80 m/Andrew Marton) (5:45 PM) (drama) Citizen Kane (1941/119 m/Orson Welles) (8:00 PM) (drama) Ace in the Hole (1951/111m/Billy Wilder) (10:15 PM) (premiere) Flesh and Fury (1952/83 m/Joseph Pevney) Sunday, October 25, 2020 (12:00 AM) (adventure) Macao (1952/81 m/Josef von Sternberg) (1:45 AM) (horror) The Werewolf (1956/80 m/Fred F. Sears) (3:15 AM) (premiere) The Howling (1981/91 m/Joe Dante) (5:00 AM) (horror) The Mummy (1932/73 m/Karl Freund) (6:15 AM) (suspense) Murder on the Blackboard (1934/72 m/George Archainbaud) (7:30 AM) (romance) All This, and Heaven Too (1940/143 m/Anatole Litvak) (10:00 AM) (adventure) Macao (1952/81 m/Josef von Sternberg) (12:00 PM) (romance) The White Cliffs Of Dover (1944/126 m/Clarence Brown) (2:15 PM) (epic) Around the World in 80 Days (1956/182 m/Michael Anderson) (5:30 PM) (horror) What Ever Happened to Baby Jane? (1962/134 m/Robert Aldrich) (8:00 PM) (western) 3:10 to Yuma (1957/92 m/Delmer Daves) (10:00 PM) (western) Gunman's Walk (1958/95 m/Phil Karlson) Monday, October 26, 2020 (12:00 AM) (silent) Haxan: Witchcraft Through the Ages (1922/107 m/Benjamin Christensen) (2:00 AM) (suspense) Diabolique (1955/117 m/Henri-Georges Clouzot) (4:15 AM) (horror) Eyes Without a Face (1959/90 m/Georges Franju) (6:00 AM) (suspense) The Beast with Five Fingers (1946/88 m/Robert Florey) (7:45 AM) (adventure) Mara Maru (1952/98 m/Gordon Douglas) (9:30 AM) (drama) They Won't Believe Me (1947/80 m/Irving Pichel) (11:15 AM) (suspense) Where Danger Lives (1950/80 m/John Farrow) (1:00 PM) (suspense) Fingers at the Window (1942/81 m/Charles Lederer) (2:30 PM) (suspense) Footsteps in the Dark (1941/96 m/Lloyd Bacon) (4:15 PM) (suspense) Kill or Cure (1962/88 m/George Pollock) (6:00 PM) (comedy) The Gazebo (1960/102m/George Marshall) (8:00 PM) (horror) Nothing But the Night (1972/91 m/Peter Sasdy) (9:45 PM) (horror) Madhouse (1974/91 m/James Clark) (11:30 PM) (horror) From Beyond the Grave (1973/98 m/Kevin Connor) Tuesday, October 27, 2020 (1:30 AM) (horror) Scream and Scream Again (1970/95 m/Gordon Hessler) (3:15 AM) (premiere) The Satanic Rites of Dracula (1973/88 m/Alan Gibson) (4:45 AM) (horror) Dracula A.D. 1972 (1972/96 m/Alan Gibson) (6:30 AM) (western) Somewhere In Sonora (1933/58 m/Mack V. Wright) (7:45 AM) (western) Along the Rio Grande (1941/64 m/Edward Killy) (9:00 AM) (western) Valley of the Sun (1942/78 m/George Marshall) (10:30 AM) (western) Sagebrush Trail (1933/53 m/Armand Schaefer) (11:30 AM) (western) Devil's Canyon (1953/92 m/Alfred Werker) (1:15 PM) (western) The Hired Gun (1957/64 m/Ray Nazarro) (2:30 PM) (premiere) Black Patch (1957/82 m/Allen H. Miner) (4:00 PM) (western) Virginia City (1940/121 m/Michael Curtiz) (6:15 PM) (western) Escape From Fort Bravo (1953/98 m/John Sturges) Wednesday, October 28, 2020 (12:15 AM) (comedy) Girlfriends (1978/88 m/Claudia Weill) (2:00 AM) (drama) The Connection (1962/103 m/Shirley Clarke) (4:00 AM) (comedy) Lost In Yonkers (1993/114 m/Martha Coolidge) (10:00 AM) (drama) Winter Meeting (1948/104 m/Bretaigne Windust) (12:00 PM) (romance) I Know Where I'm Going (1945/92 m/Michael Powell) (1:45 PM) (romance) The Enchanted Cottage (1945/92 m/John Cromwell) (3:30 PM) (romance) Random Harvest (1942/126 m/Mervyn LeRoy) (6:00 PM) (romance) Desire Me (1947/91 m/George Cukor) (8:00 PM) (drama) The Best Man (1964/102 m/Franklin J. Schaffner) (10:00 PM) (drama) State of the Union (1948/123 m/Frank Capra) Thursday, October 29, 2020 (12:15 AM) (comedy) The Great McGinty (1940/82 m/Preston Sturges) (2:00 AM) (drama) The Candidate (1972/110 m/Michael Ritchie) (4:00 AM) (drama) All the King's Men (1949/110 m/Robert Rossen) (6:00 AM) (western) Haunted Gold (1932/58 m/Mack V. Wright) (7:00 AM) (horror) The Devil-Doll (1936/78 m/Tod Browning) (8:30 AM) (suspense) Before Dawn (1933/61 m/Irving Pichel) (9:45 AM) (comedy) Man Alive (1946/70 m/Ray Enright) (11:00 AM) (horror) Tormented (1960/75 m/Bert I. Gordon) (12:30 PM) (adventure) Angel on My Shoulder (1946/101 m/Archie Mayo) (2:15 PM) (horror) Night Of Dark Shadows (1971/94 m/Dan Curtis) (4:00 PM) (horror) Indestructible Man (1956/71 m/Jack Pollexfen) (5:15 PM) (horror) From Hell It Came (1957/71 m/Johnny Greenwald) (6:30 PM) (horror) Death Curse of Tartu (1966/88 m/William Grefé) (8:00 PM) (western) Winchester '73 (1950/92 m/Anthony Mann) (10:00 PM) (western) She Wore a Yellow Ribbon (1949/104 m/John Ford) Friday, October 30, 2020 (12:00 AM) (documentary) Primary (1960/53 m/Robert Drew) (1:15 AM) (documentary) Crisis (1963/53 m/Robert Drew) (2:15 AM) (premiere) Dos Monjes (1934//Juan Bustillo Oro) (4:00 AM) (drama) Of Mice and Men (1939/107m/Lewis Milestone) (6:00 AM) (documentary) MGM Parade Show #5 (1955/26 m/?) (6:30 AM) (horror) Doctor X (1932/76 m/Michael Curtiz) (8:00 AM) (horror) The Mask Of Fu Manchu (1932/68 m/Charles Brabin) (9:30 AM) (horror) The Most Dangerous Game (1932/63 m/Ernest B. Schoedsack) (10:45 AM) (horror) Island of Lost Souls (1932/70 m/Erle C. Kenton) (12:00 PM) (horror) White Zombie (1932/67 m/Victor Halperin) (1:30 PM) (horror) The Vampire Bat (1933/63 m/Frank Strayer) (2:45 PM) (horror) The Mystery Of The Wax Museum (1933/77 m/Michael Curtiz) (4:15 PM) (horror) Mad Love (1935/68 m/Karl Freund) (5:30 PM) (horror) The Walking Dead (1936/65 m/Michael Curtiz) (6:45 PM) (horror) The Return of Doctor X (1939/62 m/Vincent Sherman) (8:00 PM) (horror) Burn, Witch, Burn! (1962/89 m/Sidney Hayers) (9:45 PM) (horror) The Four Skulls of Jonathan Drake (1959/70 m/Edward L. Cahn) (11:00 PM) (horror) The Devil's Bride (1968/96 m/Terence Fisher) Saturday, October 31, 2020 (12:45 AM) (horror) The Conqueror Worm (1968/87 m/Michael Reeves) (5:15 AM) (short) The Distant Drummer: Flowers of Darkness (1972/22 m/William Templeton) (5:15 AM) (short) Movie Trailer (1950/16 m/?) (6:00 AM) (horror) Freaks (1932/62 m/Tod Browning) (7:15 AM) (horror) Dr. Jekyll and Mr. Hyde (1932/96 m/Rouben Mamoulian) (9:00 AM) (horror) House of Wax (1953/88 m/Andre deToth) (10:45 AM) (horror) Children of the Damned (1964/90 m/Anton M. Leader) (12:30 PM) (suspense) The Bad Seed (1956/129 m/Mervyn LeRoy) (2:45 PM) (drama) The Picture of Dorian Gray (1945/110 m/Albert Lewin) (4:45 PM) (horror) The Wolf Man (1941/70 m/George Waggner) (6:00 PM) (horror) The Haunting (1963/112 m/Robert Wise) (8:00 PM) (comedy) Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964/95 m/Stanley Kubrick) . (10:00 PM) (horror) Them! (1954/92 m/Gordon Douglas) (12:00 AM) (horror) The Seventh Victim (1943/71 m/Mark Robson) (1:30 AM) (horror) I Walked With A Zombie (1943/69 m/Jacques Tourneur) (3:00 AM) (horror) The Body Snatcher (1945/78 m/Robert Wise) (4:30 AM) (suspense) The Leopard Man (1943/66 m/Jacques Tourneur)
Although we gave a full result drop and epilogue for Matches 10 and 11 a few days ago, we’re reposting the results here for posterity. Things may have gotten a little strange with our schedule, but at the time of posting, there are a few hours left of voting for a match that is XPLICITly one of the craziest the tournament has ever seen. Scenario - Somewhere in California: After their gauntlet in Brazil, Gioia Arancini and Nico Wolfram had resolved to keep in touch as each of them found leads on what Pão de Queijo had told them about the Black Beetles and XPLICIT. Gioia had relayed what Sofia had learned from Ronald Fogerty about the Black Beetles’ boss, but the biggest piece of information the two teams had shared since then came after Demis Roussos and Hadrian Moore had successfully raided the Black Beetles headquarters, encountering that very boss’s Stand itself. In the vault, the two had found a dossier on the production of XPLICIT, revealing a connection between Wilkinson’s use of consultants from Lyte, Ltd. and the first recorded appearances of the drug. All of this Gioia relayed to her team, all of whom she’d become much closer to after these experiences, especially a fateful trip to a Washington, DC museum with Schioppo following a successful go-kart race. It seemed Ric Hawks was somewhat less thrilled by his time with the team, given his determined efforts to look into things on his own, barely consulting with his teammates. To him, the way to get information on Lyte was through their financials, particularly their increasingly shifty CFO. Stefan Pilatti, the one Ric could never quite shake since they’d failed to stop a jailbreak in San Diego, had a simpler idea one day on the bus, born largely out of exasperation: “Why don’t we just shoot ‘em?” ‘Corazon’ rolled her eyes at this, thinking over everything they’d learned, still maybe a bit jittery from her experience in New Mexico and feeling ever so slightly guilty over how far she’d gone against Buggy Baxter, what with Connor’s report back from the casino. “Too many loose ends, and we don’t want anyone innocent caught up in the crossfire.” “Yeah, but there’s so much to go over,” Schioppo added. “How are we going to actually get through tracking everything down, especially with Clyde busy with his new hunting business?” The heretofore silent bus driver was thinking. Noriko Yabuuchi, sugar and ice to Kris and all ice, no fire to Schioppo, was warming up to both, though she wouldn’t admit it, and to the rest of the tea. To even her own surprise, she wanted to help. And she resolved to do so, the best way she knew how, using her own unique skillset. “Okay, gang, let’s split up and search for clues.” The Civil Disobedients sat around their bar, the atmosphere of a tense quality. Spirits had certainly been higher in the group’s time together, but things weren’t terribly dreary at the moment, Lyra thought quietly to herself, stirring a frosty glass of grape juice. Even though Prince Johnny’s last excursion hadn’t ended well by any stretch of the imagination: the Civil Disobedients hadn’t heard hide nor hair of him since, they had no idea where he might have been, but Lyra simply hoped he was safe. Fighter Jet was his usual sunny self, trying to keep spirits up by cracking jokes and recounting their better times, but Kaito wasn’t having any of it, sullen as he stared into an empty glass, contemplating his team, himself. Then Fighter Jet said something—Kaito didn’t quite remember what—but he snapped back. “Maybe we’d have more people after Tags right now if people hadn’t been dicking around during the first round!” He shot a withering glare at Lyra, who shrunk back on her stool, looking off to the side. “I’m sorry— about me and Djimon, I really could have done better, I, ah… um…” Kaito continued to lambast her, squeezing his glass tighter, his knuckles turning white. “Maybe we should’ve just sent you out alone, Lyra, then maybe we would’ve seen better results fro—“ Down the bar, Baroness smashed down an empty mug, shards of glass dancing on the bar for a brief moment, before they fell dead on the countertop, the floor, even on Baroness. “KAITO.” She snapped, face red with anger. “Shut the fuck up, okay?! If you’re such hot shit, then where’s all the Tags you’ve collected recently, huh? —What’s that? You don’t have any? Why’s that unsurprising to me?!” The silence that befell the group was deafening. His face hot with embarrassment, Kaito simply rose from his seat and walked towards the door, leaving the rest of his team behind. Unbeknownst to the rest of his team, Kaito’s face was contorted into a grimace. Every footfall seemed to take forever, despite his quick pace. Was the door always this far away? Even Fighter Jet had quieted, watching the door shut after him. “Ah… um, Baroness…” Lyra begun, fidgeting with her fingers. “I appreciate you standing up for me, but some of that stuff went a bit too far, don’t you think? It was uncalled for…” Baroness brushed the few shards of glass off of her pants, a twinge of regret filling her as she cleared her throat, now dry. Another report successfully filed, finances adjusted, errors corrected, everything under his control as perfect as it could be, as there was little satisfaction as good as a job well done at the end of the day, no matter the nature of the work he was getting done. Click, click, click… The man finished what tea was left in his mug, idly clicking his treasured pen, before he tucked it away in the breast pocket of his suit, rising from his executive style chair, high backed and comfortable. He stretched for a moment, before he grabbed his briefcase, striding to the break room to clean and put away the mug. There was something sterile about the environment. Something falsely homey. After he dried out the mug, he set it back into the cupboard, and rubbed his eyes from underneath his glasses. The room wasn’t creepy or unnerving, but after a week, it came to be a bit much for the man’s more subdued tastes. He made his way through the main working floor, something of a maze of frosted glass and cubicles filled with personal objects. He kept a firm grip on the handle of his briefcase, the occasional employee in the hall seemed to shrink and scurry away, as if to not incur his ire—not that he had much to give at the moment. He did, however, spot a figure dozing at one of the cubicles, black roots beginning to set back into his dyed blonde hair, and his hawaiian shirt slightly crumpled. He supposed it was casual Friday. With a sigh that was… sympathetic? He walks over, giving a sharp knock on the wall of the cubicle to get his attention. The young man instantly starts awake, wheeling around in his chair, face gaunt with embarrassment. “Muh— Muh— Mister Alcove! I’m sorry, I! Uh— I was—“ Maui Jim stuttered through some vague explanations, quickly snatching two empty Red Bull cans and crumpling them up, throwing them into the trash can beneath his desk. Tom simply stood there, letting him finish whatever he was attempting to say. A glance at his monitor showed that he was on track, even with his noticeably heavy workload. “I intend to go home now, Maui Jim,” he said calmly once the young man had finished stammering, cheeks bright red. “How much longer do you have?” “M-Me? I was— Uh I was gonna stay and, I’m super behind, and, uh…” “Hm. Carry on, then. You’ve got quite a bit of important work to do, and I don’t mean to interrupt. But do clean up your workspace.” Tom left it at that, turning to walk towards the elevator as Maui stammered his belated apology, hastily clearing up his supplies as the CFO stepped into the elevator, thankfully empty, heading down to the ground floor where he would be able to leave. “Thanks, Ric, thanks, Corazon…” Murmured Noriko as she taped a small copy of a map onto her dashboard, marked with pen and highlighter to indicate the most probable path their wanted man would take. She could practically hear the voices of her teammates:
*”We went through what we could find out about his schedule, he always stops at this grocery store after he leaves work on Fridays. No idea why, but he does.” “Uh,” Corazon had interjected. “Maybe just maybe because he’s a normal person who wants to stock up on some essentials before the weekend, duh.”
”...What was I thinking. Fuck.” Kaito walked down the sidewalk, away from the bar he had been inside mere moments before. Did he even actually like any of them? Why did he bother to stick around? He gave a pebble a forceful kick, and watched it skitter across the sidewalk and into a row of bushes. Baroness was nothing but a bossy know-it-all. He could hardly stand her and her holier-than-thou attitude. And Djimon. Why had they let a child into the Civil Disobedients, again? Maybe the whole group would’ve been more success if Lyra wasn’t always so out to lunch. Prince Johnny was a horny creep, and probably a liar, and Fighter Jet… He… Couldn’t think of anything bad about Fighter Jet… Noriko’s bus was empty, an unusual occurrence, and Noriko was largely left alone with her thoughts. Union Jack sticker. Navy car with Union Jack sticker. Looking for the Navy Car with a Union Jack sticker. That was him… she had to find him… She was one intersection away from the grocery store, and she rolled to a stop as the traffic lights overhead turned red. She reached to turn on the fan at the front of the bus, basking in the gusts of cool air. This wouldn’t be so hard. She’d track him down and ask some questions, right? Knock, knock, knock Kaito rapped his knuckles on the bus door’s glass pane, his posture shrunken, shoulders drawn inward, head tilted down. Noriko, operating on muscle memory, flicked the lever to open the door at the sound. Her eyes shot open, and she turned, staring face to face with Kaito. She hadn’t meant to open the door! Kaito’s eyes widened. He recognized this girl… she was the one he fought in Venice! He stammered, backing up a bit. “Oh, it’s you, I, um…” Her eyes narrowed. She recognized him as well. But Kaito could tell from the look on her face, the way she surveyed her surroundings… there was a look of ‘Intent’ on her face. She was here for a reason... Out of the corner of her eye, Noriko caught sight of a dark-coloured car pulling out of the parking lot. She turned to confirm, and as she made out the Union Jack sticker on the window, she turned back to Kaito, her expression one of stern urgency. “Get on.” Kaito, still somewhat hesitant, nonetheless complied, boarding the bus and hopping in the seat. The door quickly shut behind him, and the overhead light flicked to green as Noriko peeled off after her target. The end of the work week had finally arrived, many an office worker rejoicing their two days of freedom, quickly punching out and scurrying home. For one man in particular, the weekend was a time of great joy, as it meant for two precious days he was able to see his teenage son, Timothy. The man had settled into a routine he thought was just right; leave work, pick up groceries for the weekend, visit his ex-wife’s house to pick up Tim, then make his way home for dinner (catching up on the details of his son’s week he had missed between phone calls), eventually followed by a movie with popcorn. For Thomas Alcove, this was (mostly) perfect. He was on his way to pick up Tim at this very moment, groceries nestled snugly in the backseat, everything he’d need for a weekend. A dozen eggs, 2% milk, rye bread, green onions, the bags of candy in their bold packaging that Tim had found a distinct fondness for, Earl Gray, Chamomile… the list could go on. The bags rustled quietly as Tom turned a corner, his vehicle roomy, yet modest, painted a dark navy, a Union Jack sticker sitting proudly on the bottom corner of the rear window. There was the usual rush hour traffic that he sat through with a level head, beginning to clear the further from downtown he drove, save for a bus that seemed to follow him. He shifted his gaze from the rearview mirror and back to the road, adjusting his glasses. The notion that he was being tailed was nonsense. Or so he thought. Kaito rested against the back of the bus seat, hardly the most comfortable, but eons better than being out, alone with his thoughts. “What’s your name?” Noriko asked from the front, looking back at Kaito through the bus’ rear view window with a quizzical glance, her expression having softened somewhat. “I’m Kaito. Yuigahama Kaito.” Noriko’s expression brightened, and she slipped back into her mother tongue. “どの県で育ちましたか?” She asked, looking eagerly back through the mirror. Kaito, however, blinked, leaning forward and cupping a hand to his ear. “どの県で育ちましたか?” She repeated, her smile weakening somewhat. “Is that, uh… I don’t speak Japanese, I moved away before I had a chance to learn anything…” he responded meekly, feeling somewhat awkward for having crushed her visible enthusiasm. Noriko frowned in deep displeasure. She went out of her way to try and connect with somebody who shared her heritage, only to get nothing in return. He didn’t even speak a word of Japanese? Pathetic. The bus fell back into silence. A silence Kaito was all too familiar with, a silence steeped and fermented in disappointment, tainted like a corked wine. He silently cursed to himself; how did he even mess basic conversation up? Noriko’s eyes focused on the road, and on their target ahead of them. Kaito focused forward as well, though his eyes darted between the road or Noriko. He wanted to try again… he didn’t want things to be awkward. He rubbed the back of his neck, easing back into conversation. “So, err… What are we doing, anyway? I just kind of got on without explanation…” Noriko glanced over at Kaito, before quickly focusing back on the road. “Chasing the Navy car with the Union Jack… You can help me, we need information.” Kaito nodded. This could be the opportunity he needed… he wasn’t about to pass up a chance to prove himself. “How’re we going to do it?” “We follow him, we corner him, we make him talk,” Noriko said simply, eyes still on the road. “Yeah, sure, alright,” Kaito said, slumping back in his seat. The ride was silent for a while once more, and this time it was Noriko who chose to break it. “Why were you out?” Kaito sighed and gritted his teeth before speaking. “My team’s all a bunch of bullshit. We haven’t heard from Michelle or Djimon in months, Lyra’s a goddamn space cadet, and I don’t even know if Prince Johnny’s even fucking alive!” Kaito’s voice caught. “And Tom… Tom abandoned me.” Noriko thought back to earlier in her investigation, the Fairy Fellers all crowding the bus, chattering and joking. It could be annoying sometimes, but… With Connor currently checking on his family and Ric always checking out of team conversation, she’d already started to feel a hole on the bus. Hearing about Kaito’s situation, with half the team completely missing in action, especially the man who’d been with him in Venice… “I’m sorry about him,” Noriko said. “You were a real pain to fight in Venice.” “Yeah… Sorry about that.” Kaito recognized a compliment when he heard it, and grinned up at his former opponent and newfound ally. “Let’s kick this rich guy’s butt. Wait, uh… what’s his name again?” “Alcove,” Noriko replied. “Tom Alcove.” Kaito blinked, and his grin widened. This was about to be cathartic. Up a hill that led to a scenic cliffside view, the bus pulled over into the lane beside him, accelerating slowly, as if trying to catch up with him. Tom narrowed his eyes, letting his foot off the gas to let the bus pass, but much to his horror, it didn’t. There was a rumbling as amber liquid poured from the bus, coalescing beneath it, bubbling and burbling until— BWOOSH! The scent of whiskey filled the air as the fermented liquor exploded, launching the bus a great length and high above, As it soared over his own vehicle, plumes of bubbles streamed out of opened windows, deftly floating ahead and laying out into carpet on the road ahead of him. Indeed, the bus made a miraculously safe landing, skidding out slightly with the popping of bubbles and the hiss of hydraulics. Tom, meanwhile, slammed on his brakes, wheels screeching at the sudden deceleration. That was more than just horrid driving. That was intentional, the work of an enemy Stand user... Tom narrowed his eyes, trying to make out the driver as he gripped his steering wheel tightly. The bus was long enough to block off every single lane, rendering him unable to get around… to get to Tim. His anger was hidden behind tired eyes, and he stepped out of his car, the smell of whiskey filling his nostrils. He called loudly to the driver, who would easily be able to hear him. “What on Earth are you thinking?! I have places to be!” He opened his mouth to say more, but the bus doors swung open, and Noriko and Kaito stepped outside to confront him, the former holding a dossier that she read clearly from. “Thomas Alcove, CFO of Lyte LTD,” she began, eyes flickering between the man and the file. “May I ask you some questions about XPLICIT?” Tom’s brow furrowed, his fists curling slightly. This was hardly good. “No.” He responded sharply, pulling his pen from his breast pocket and beginning to click it absentmindedly. “You may not. I don’t have the time.” “Well then.” Kaito interjected, lowering his stance to one of more aggression. “I’m sure we can make time, or, at the very least, make you talk.” Noriko nodded in agreement, and Tom squared his shoulders, prepared for combat as he spun his pen through his fingers. He was off the clock: he had no interest in dealing with work issues. ”Unless you go quietly, it’ll be the last thing you brats will do.” Location: A beach-side highway somewhere in California. The road is 10 meters wide with a dropoff to the shore to the south and a hill to the north, similar to the picture. The players and boss start 15 meters away from each other on the right side of the road facing each other. Both sides have their respective vehicles a meter behind them, however they cannot be driven at the time. The sea is 10 meters south of the road; there is a speed limit sign 7.5 meters between the players and the boss on the north side of the road; and there are two overpass signs, one 15 meters behind both sides. There is a guard rail on the south side like the picture shows, the stakes are wooden and the bar is made of coated metal. The bus has normal bus driving equipment and maintenance gear: a spare tire, medical kit, fire extinguisher, and other essentials. Additionally, the bus happens to have fiberglass paneling on the sides and most of the back, in areas that buses would normally have it, although with effort it can be torn off. For some reason, the bus also has a coffin on board. Goal: RETIRE your opponents! Additional Information: Note for the players, that camping or running away too far will be detrimental given that you are giving the boss a chance to book it. Boss Information:
Name: Thomas Alcove Age: 42 Gender: Male Species: Human Occupation: CFO of Lyte, Tom Alcove, Former Investor for Section 80. Personality: Tom, put bluntly, is quite the stick in the mud. The straightlaced square so involved in his work you’re left wondering if he has any hobbies, any joys in life aside from a job well done, and giving subordinates the side eye when his tea’s not done quite right. He comes across as hard-to-impress, but above all, detached, keeping things and people alike at an arm's-length distance, with the sole exception of his son, Timothy. This detached, slightly bitter, slightly prickish attitude displayed by Tom is the perfect repellent for most of his co-workers, and he couldn’t be happier, generally preferring solitude, or at the very least, not being pestered. Most of these negative traits are a built-up exterior to hide a rather polite, mild, and sensibly kind interior, hidden chiefly due to past experiences, and the desire to not be taken advantage of by more cruel players in the industry. When alone, or at his home, these crueller qualities are shed entirely. First and foremost, Tom is a father, there to guide, correct, and love. He has a matching sense of humour, often unable to stave off the urge to tell a groan-worthy joke to his son. He has hobbies like early morning jogs, and collecting limited edition coins. He finds great fun in browsing through truly atrocious cookbooks from a bygone era, playing old rock records, and arranging tea paraphernalia. Bio Physical Description: One look at Tom, and you can tell he’s a busy man, work not a source of income, but a way of life. He’s light skinned, with prominent cheekbones, a rather sharp nose, lips that usually speak of his annoyance, and vibrant blue eyes that are shadowed by dark rings beneath them. His hair is dark brown, and styled upwards in a double helix, ending in points that are reminiscent of devil horns. There’s a thick gray streak that runs through his hair, other strands by his scalp slowly showing the same colour. He’s very tall, standing at 6’4, but also very lithe, with broad shoulders, and proper posture. There are thin, silvery glasses perched upon his nose, and he wears formal clothing in dark colours- blues, greys and blacks. His outfit usually consists of a dress shirt and a blue ascot beneath a crisply dry-cleaned waistcoat. He wears plain dress slacks, held up by blue suspenders, and matching his waistcoat. His shoes are dressy, without much beyond that. The real eyecatcher to his outfit is his jacket; a dark coloured throw-over with a collar and material resembling a suit jacket, although it is much longer, with coattails that reach his ankles. On the right sleeve is text that reads “SECTION 80”, and on either elbow are patches that resemble subtraction signs. The back of said jacket has quite some flair, a sliver chain on the small of its back, held in place by multiplication signs, The lapel and bottoms of the jacket are made of a polished metal. Art of Tom and his Stand by our own Judge Dimi! Equipment:Various keys on a small keyring, a smartphone, a wallet made of fine leather, containing cards, cash, coins, and small photos of him and Tim doing various activities together, his silver wristwatch, and a second blue ascot. USER STATS: Strength: 2 - Tom possesses average strength for a man of his size and age, nothing much of note here. Agility: 4 - Having an aversion to most sports, and finding activities such as weightlifting quite dull, whilst still wanting to remain active and healthy, Tom took up running over a decade ago, and it has paid dividends to this day. Endurance: 2 - Tom also possesses average endurance. Office Aerobics: 4 - Long limbs often come with visuals of manoeuvring around in a gangly, awkward, manner. Not so for Tom, however, who’s litheness and agility allow him to make his way around the battlefield in unconventional ways with ease. Low gravity, underwater, or up in the air? He’s got it on lock. Penmanship: 2 - When working closely with a single pen for years and years, one truly comes to know its strengths; writing with a steady hand, where the laser pointer will fall, and how to write up a damn clean signature. STAND NAME:｢Money Trees｣ Stand Type: Bound/Humanoid Stand Appearance: When in its pen form, ｢Money Trees｣ appears as a simple silver-black pen with three colors: red, blue, and black. When in its humanoid form, it looks like a small, black, limbless robot with a round, featureless head, save for some wide, flat bolts screwed into either side of its head, and a glowing white line that goes straight down the middle of its face, flanked by two circle eyes in the same colour, bisected vertically by a line. ｢Money Trees｣’s head leads into a thin, sleek neck, and a triangular torso. From its shoulders protrude two small brick magnets, and from its shoulder sockets, two horseshoe magnets. It lacks arms, but has hands with disc magnets on the back. There’s also a disc magnet beneath ｢Money Trees｣’ torso, a horseshoe magnet immediately beneath it, and two brick magnets on either side of the horseshoe magnet. It hovers in midair, a visible magnetic field pulsing from the different magnets on its body. ｢Money Trees｣ is also seen carrying or otherwise levitating a very large brick magnet with incredible ease. Stand Ability: Pen Form - The pen acts as a laser pointer; when Tom points it at a metal object, he can envelop it in a spherical, faintly glowing magnetic field, one side is red for N charge, the other blue for S charge. Additionally, he can set metals as ‘null’, unable to be affected by ｢Money Trees｣’s magnetism. If he draws a loop with the pointer, upon its completion, a magnetic field will be created within that boundary, the field’s glow indicating its charge. Tom can click the pen to freely change the orientation of any object/fields in range, as well as turning the magnetism “on, off, and null”. These magnetic fields affect all metals, regardless of their innate ferromagnetism, or in layman's terms, even metals that are not normally able to be magnetised. Humanoid Form - While free from the pen, ｢Money Trees｣ can create, reshape, and telekinetically move a peculiar metal—also known as Money, which is very similar to silver—within range that’s larger than a quarter. It can also predefine the magnetic field of Money as it’s being created. STAND STATS: Power: C - The magnetic pull (and thus push for similarly charged objects) is at C POW, as is the Stand’s physical force. The size of a magnetic field/affected object has no effect on the power of the magnetic pull; a large and a small loop will both create a single force vector of C POW. Additionally, while ordinary metal affected by the magnetic force cannot harm Stands, Money can, as can anything of ｢Money Trees｣’s creation. Speed: A - Although larger quantities of Money are harder to move due to their weight, ｢Money Trees｣ can move incredibly and ‘metalbend’ quickly. Similarly, application and adjustments of its magnetism abilities occur at incredible speeds, much faster than Tom’s clicking may imply. Durability: E - ｢Money Trees｣ in both forms is incredibly fragile. However, while the pen does not transfer damage, it takes 5 seconds to regenerate if destroyed and all magnetic fields created will be dispelled. Similarly, although Money can affect Stands, it is also incredibly fragile. However, the more of it is accumulated, the harder it becomes to break. Range: C - While ｢Money Trees｣ is bound to E Range of Tom, its ability range is 20 meters. If Tom leaves the range of a magnetized object or a field, he can no longer change its magnetism, but the effect remains. Precision: A - Not only is Tom incredibly adept at using the Pen form, ｢Money Trees｣ is incredibly precise with its movement, senses, and ability usage, having the ability to freely remold Money into any shape. Moreover, Tom can choose whether or not to be affected by ｢Money Trees｣’s ability. Stand Oddities: ｢Money Trees｣’s pen form functions as a perfectly good pen, with unlimited amounts of red, blue, black ink.
“What you owe me… can never be payed back with money!” Baroness, Tom, and now another goddamn Tom. You've had the hell beaten out of you so far, and you’re the only one who seems to think you’re worth anything. Now it's time to prove everyone else wrong. Prove your worth, and be inventive and showy as possible with your and Noriko's Stand while you beat this enemy into the ground!
“Think about it. There’s gasoline in bikes.” But you don’t care about bikes when you have your bus right there. You may not be able to get away with driving it against this opponent, but you can still make use of it! Use the bus and anything in it in interesting and creative ways in the match!
“You can find iron anywhere in this world. Of course, it's in sand, as well as spring water and plants. Large amounts of iron can be found in vegetables like spinach and meats like liver...” While you’re certainly able to make your own [Money], you’re just as capable of punishing these punks by creative use of what’s already there. Use the metal in the surroundings in your strategy, and make it count in taking down these upstarts!
TRIP TO THE FUTURE The year was 1963. His name was Mick O’Malley. As the name suggests, Mick was about as Irish as they come, minus the leprechaun costume and pot of gold. A natural lover of beer, he was the brewmaster in his small town of Pueblo, New Mexico. The only thing he was really known for, aside from stealing paper from the copy machine at work, was being a small-craft brewer before it was cool. But Mick had ambitions beyond your average beer maker. It all started with a trip to the local Native American reservation. What was meant to be a quick trip to get 19 cartons of tax-free cigarettes ended up changing his life forever. The natives were particularly fond of a rare type of cactus that only grew in a very small region of White Sands nearby. The cactus, locally known as “najawakka” was being used for religious rituals. It was unknown to scientists as the natives were careful in protecting its existence from researchers, botanists, and wooks. This struck Mick quite the wrong way, as for years he’d been looking for a new plant to brew his own signature beer from. “What better plant to use than a sacred one even science doesn’t know about? This is kickass!” and he immediately popped a stiffy. He asked the locals if he could bring home one of the cacti. At first they refused, but after promising to buy another 37 cartons of cigarettes, even the expired ones at full price, the leader reluctantly handed one over. As the plant passed their hands, the leader warned Mick, “this shit will melt your mind like a goddamn lava lamp, bro.” “Yeah, whatever man,” Mick replied. As the mysterious, dumbass white man left, a young native asked the leader, “why would you give it to him?” The leader replied, “those cancer sticks will probably kill him before the plant does, so who cares?” Eager to brew the ultimate beer from this mysterious plant, Mick went straight to work on what is arguably the dumbest idea anyone could think of since the Romans decided to build an entire village next to a fucking volcano. But the consequences weren’t quite as disastrous to anyone, anyone but Mick. After a painstaking two long weeks of waiting and waiting for the beer brew, the 14th day arrived, and Mick was as eager to try it as a hawk is to eat fresh killed sheep. Mick poured himself his first, and only, glass of his new invention. With a single sip, his mind began to spin. Within a few minutes he was already on a magical mystery bus tour through the seventh circle of hell. As he was about to fall and die in a fiery satanic inferno, dead Judy Garland arrived on the back of a dinosaur, swept Mick off his feet, and rode him to safety while simultaneously taking headshots at mutant cobras with a bow and arrow. Mick was awestruck. But just as they were about to reach the end of the rainbow and return him to his normal life, he was struck by lighting and bitten by an anaconda at the same time. He awoke suddenly, back on his couch, but his home looked quite different. It was as if nobody had been there in ages. The windows were shattered, the roof was caving in, and his prized life-sized statue of Duke Ellington was missing. “Where am I? What is this?” Mick asked himself. Suddenly, a ghostly giant lizard appeared before him. “Mick,” the grotesque lizard said, “I am Señorito Lizard, king of the mutant reptiles, friend of the ancient forest avatars.” “What’s going on?!” Mick asked. “Quite the pickle, you are in. That beer you brewed out of the sacred cactus was so powerful, it caused you to trip 57 years into the future! It is 2020, the world is woke and everyone speaks Yeet.” “How do I get back??!” Mick worriedly replied. “Mick, listen closely—eat the same cactus, you must, to trip back to 1963.” “Fuck!” Mick shouted. “I missed my Grateful Dead concert, any chance you know when their next show is?!” “Sorry to tell you, but Jerry Garcia is dead, Mick. Dead, and not quite grateful about it either.” “Janis Joplin?” “Also dead.” “The Beatles?” “It’s been 57 years Mick, snap out of it and find the goddamn cactus, you must!” And in that moment, Mick knew the lizard emperor was right. His truck was still in the driveway, dilapidated and abandoned. So he had no choice but to walk there by foot, for he knew he would stand out with his retro attire. After 19 hours of walking, Mick arrived back at the reservation. But where the ceremonial circle of cactus eating natives once sat, stood a gaudy temple-like casino. Mick stepped inside and asked, “I need to see your leader! I don’t know his name, but 57 years ago he gave me a cactus and—“ “Ah, so you’re that beer guy, huh?” the guard asked. “Yes! How do you kno—“ “You were the talk of the town since you left. Everyone made bets about how you’d die. Some thought you’d beat your own face in with a garden gnome, others suggested you’d simply jump off a cliff using a Super Soaker as a jetpack. So, whatever did happen to you, man?” “I tripped 57 years into the future!” Mick exclaimed. “Fuck, that means I lost $14. Whatever. So, what do you want?” the guard asked. “I need to talk to the man who gave me the cactus, the lizard kremlin said I must!” “Ah, that sucks man, sorry to say but he’s dead. You see, in 2005 he was protesting the government and pissing on the iron statue of a Confederate war criminal. Lightning struck the monument, splitting him in half from the shaft to the head. It was a nasty sight, he even became a meme for like three weeks. Republicans threw a massive banger in the capital to celebrate, Ted Cruz was doing karaoke to Cher and McCain even whipped his junk out in front of the head of the NRA, yelling, ‘I’m gonna shoot!’” the guard exclaimed. “That’s not surprising,” Mick replied, “well, do you know how I can find the cactus?” “You’re shit out of luck there too, man. Exxon built an oil pipeline straight through the reservation. There was a massive spill in the ‘80s and it killed off every last najawakka cactus we had. They’re extinct bro, you’ll have better luck finding a hay in a needlestack.” “You mean a needle in a haystack?” “No, this is slightly more painful, actually. And nobody would bother to do it—in other words, give up, man. The future is great, we have emojis and pot is legal, what more do you want?” “Fuck!” Mick exclaimed again, “I want to go home.” Feeling defeated, Mick sluggishly dragged himself out of the casino. As he was ready to give up hope, the Lizard lord appeared before him again.” “Why didn’t you tell me the cactus was gone? And the chief was dead? Why did you mislead me?” “Shhhh, come come now, Mick. I have something I need to show you.” The lizard wizard opened a portal and transported Mick to a gift shop in Alberta, Canada. “What are we doing here?” Mick asked. “Do you remember the mug you drank your beer from, Mick?” “Yes! I do—it was my prized possession! It said “World’s Worst Dad,” my bastard kid sent it to me after I abandoned him 9 years earlier. I sent him a birthday card and he replied with a mug to remind me how much of a disappointment I was!” “The only one still in existence, believe it or not. It’s worth a fortune too, but nobody knows it’s here. Buried in a box somewhere under a stack of vintage Playboy magazines and Soviet propoganda, lies your mug. Within that mug is a slight residue of the beer you drank. Consume the residue, you must, to trip back.” “But what about—“ Mick turned around, but the lizard god was gone. And so he went, storming into the store with a dick full of confidence. He headed towards the magazine section and began digging through the boxes for his prized mug. Hours went by, but finally, he landed on his mug. Deciding it wasn’t a bad idea to swipe the magazines either, as it had been over half a century since he relieved himself. He left the store, walked into a gas station bathroom with the magazines, spent a rough 7 hours in there before the owner busted the door in, thinking he’d died in there, only to see a burnt out hippie rubbing one out. Despite not having finished, he saw the horrified look of the graveyard shift worker and the line of 17 people lined up, waiting to drop their deuces, he sprinted past them and into the woods with his mug. He sat beneath a tree, lifted his mug, and began to lick the inside of it, hoping to contract the cacti beer residue again. An hour passed, and nothing had happened. The lizard warlord appeared again. “It’s not working!” Mick exclaimed. “The residue is at the bottom, you dumb shit. Fill the mug with water, dissolve the residue, and that should do the trick. There’s a river nearby, you can get your water from there.” Mick bounced up, ran to the river, filled his mug, and took a nice, long gulp. And so it began, once again. The spinning, the whirling, the pain and suffering. Judy Garland appeared once again on her dinosaur, lifted him from his spiraling death pit, and carried him to the end of the rainbow. And in that instant, he fell off the horse, landed on his head, and awoke in his old living room, back in 1963. “Finally,” Mick said to himself, relieved that he had accomplished his time travel. “I need a cancer stick and a beer!” Mick grabbed a Marlboro Red and a jug of fresh brewed beer. He poured a glass, took a drag, and gulped down the entire glass. Looking down as he took his second drag, he realized he had just made a grave mistake. The beer he just poured, was once again, the time-warping cactus drink that had started his whole ordeal. “ohhhh… fuck.” he said. And in that instant, the world warped around him, the third trip began, and Judy Garland appeared again on her dinosaur. “Fuck outta here, Judy!” he yelled. Insulted, Judy’s dinosaur head-butted Mick off his feet and fired him off into the abyss. When the trip ended, Mick was floating in space. Realizing that this time he drank an entire pint instead of just a sip, 937 billion years had passed. The sun burned out, exploded, engulfed the solar system, and collapsed into a supermassive black hole. As the gravity sucked him in, he tried to take a final breath. But seeing that this was space, and there was no air, he gagged, choked, and died. The lizard sorcerer appeared once more, laughing hysterically. With a wink and a nod, he landed on Mick’s body, and like every 9-year-old playing Halo on Xbox, double-tapped X over his corpse. “Killshot!” the lizard oligarch shouted, “new high score!” The end.
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